$26 to See the Chucho Valdés Quartet at Zeiterion Theatre on Friday, November 30, at 8 p.m. (Up to $53 Value)

Zeiterion Theatre

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In a Nutshell

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Multi-Grammy-winning "Dean of Latin Jazz" Chucho Valdés tickles upbeat, brassy tempos from the ivories

The Fine Print

Expires Nov 30th, 2012. Limit 15 per person. Redeem starting 11/30 for a ticket at venue box office. Must show valid ID matching name on Groupon at Zeiterion Theatre. Must provide first and last name at checkout, which Groupon will provide to facilitate redemption of voucher. Refundable only on day of purchase. Must purchase together to sit together.Discount reflects Zeiterion Theatre's current ticket prices-price may differ on day of the event. Doors open 1 hour before showtime. Merchant is solely responsible to purchasers for the care and quality of the advertised goods and services.

Smooth jazz is the sound of sophistication, unlike rough jazz, which is the sound of Louis Armstrong blasting chili out of his trumpet. Lend your ear to upscale scales with this GrouponLive deal to see the Chucho Valdés Quartet at the Zeiterion Theatre in New Bedford. For $26, you get one ticket for reserved seating in the center-middle orchestra on Friday, November 30, at 8 p.m. (up to a $53 value, including all fees). Doors open at 7 p.m.

Now dubbed the "Dean of Latin Jazz," Chucho Valdés could play music before he could read. At age 3, he picked out radio melodies by ear on the piano, and at 15, he formed his first jazz trio. Decades later, the four-time Grammy Award winner from Cuba presides over the Chucho Valdés Quartet and one of the best-looking trophy cases in the world. While Valdés hammers the keys with uncanny speed that never leaves melody in the dust, his bandmates keep pace with horns and African-influenced beats. Each performance then serves as an aural journey around the family tree of Afro-Cuban music, touching on Yoruba bata drumming, a salsa version of "Stella By Starlight," and a reinterpretation of "Besame Mucho." After an infectious recent concert at Carnegie Hall, the New York Times praised his "dazzling, deceptively casual virtuosity" and "great hydraulic fountains of notes, each drop sparkling as it falls."