Arthur Murray Dance Studio has been a leading name in franchise dance since 1912, when the entrepreneur began selling mail-order dance lessons. Expanding his reach, he enlisted teachers to spread his signature dance lessons on first-class steamships and skyrocketed to fame in the '30s after introducing the public to such dances as the Lambeth Walk and the Big Apple. By the 1950s, Arthur and his wife, Kathryn, were hosting their own highly popular TV show on ABC, the Arthur Murray Dance Party, which ran for 12 years. Today, Arthur Murray's team prepares students for rug cutting at special events and weekend nightclub jaunts. Clients who arrive to lessons partnerless will be paired up with an instructor as the teachers assess their current skill level and make recommendations on the most appropriate program. Throughout lessons, instructors teach the foundations of two to four dances from a long list of styles that range from Latin to country-western, helping students to learn basic step patterns, timing, and the ability to lead or follow.
New York-native John Cassese's motto is, "If you can walk, you can dance." The celebrity dance instructor and choreographer's own quick-stepping career began at the tender age of 10, jumpstarting a passion that would eventually take him careening across the stages of off-Broadway productions, nightclubs, dance competitions, and the occasional monster-truck rally. It wasn't until he relocated to Los Angeles that an agent dubbed him "The Dance Doctor," and soon after, he found his fleet-footed prowess and teaching abilities in high demand amongst production studios such as Sony, Paramount, and 20th Century Fox.
Between choreographing a Charleston dance sequence on AMC's Mad Men and singing at the 50th birthday parties of Billy Crystal and Wolfgang Puck, John leads a team of instructors as they teach celebs and everyday Tinseltowners the finer points of styles ranging from ballet to hip-hop. Despite all the fanfare, his biggest praise comes from his work with soon-to-be-married couples, who seek his advice on everything from basic steps and song selection, to the length of the post-cake-cutting conga line.
In 2003, the teaching staffs behind the Butler-Fearon and the O?Connor-Kennedy Schools realized something: though both academies nurtured the physical, mental, and competitive skills of scores of young Irish dancers, they could form a more robust program by combining forces. Once united, the team of Rose Fearon, Vincent O?Connor, and Kathleen O?Connor?each a certified Irish dance adjudicator?implemented a revised curriculum reaching students from both American coasts to the solid-ice skyscrapers of Ontario. Today, Butler-Fearon-O'Connor trains everyone from girls buckling their jig shoes for the first time to experienced adults, many of whom?such as 2011 world champion Emily Penner?have danced competitively at home or across the pond and landed spots on touring companies for shows such as Riverdance.
Focusing on perfecting traditional form and technique, classes are kept as small as possible, ensuring personalized attention from one of the school's 10 experienced, decorated instructors. Students also learn stamina, flexibility, and presentation, with an emphasis on avoiding motions that tend to draw judges' ire, such as clumsy arm placement and badgering the audience. Many locations also host more casual classes for adults and groups such as Girl Scout troops.
From authentic, artistic belly dance to cardio-driven TAProbics, Anisa has been teaching and performing a wide variety of Belly Dance for more than four decades. Over the years, the School of Dance has grown to include dance styles with Spanish and Argentinean influences, plus modern dance, ballet, jazz, tap, and LaBlast. In addition to these traditional genres that are the studio's focus, it teaches contemporary dances that boost cardiovascular activity, including Zumba and Jazzercise. The goal is to make dance accessible to everyone; the schedule offers evening and weekend classes to accommodate working students.
Like many of her fellow dance teachers at Gotta Dance Studio, owner Cindy Gebelein first donned ballet flats at age 6. Throughout a lifetime of performing and 35 years of teaching, she’s worn through copious dance shoes while sharing her passion with others. She opened Gotta Dance Studio in 1995 to further pass on her love for performance, arming younger generations with the technical skills to develop into true artists.
The instructors elucidate a variety of dance styles, from perennial favorites such as ballet, jazz, and tap to modern styles such as hip-hop and contemporary. For students truly taken with the stage, a musicaltheater and performing arts program builds upon the physical conditioning and movement training of dance with voice- lessons and resume-building performances. Three dance troupes, each with their own particular focus, partake in demonstrations and competitions at both the local and national level. Thanks to their travels, these squads have come home with multiple awards and at least a dozen stray tap-dancing cats.
Saban Theatre has been entertaining audiences since 1930, when it was one of old Hollywood's premiere film palaces. The art deco theatre, then named the Fox Wilshire, attracted its fair share of cinema legends. In 1953, the stars of Hollywood turned out for the premiere of Marilyn Monroe and Lauren Bacall's film, ¬How to Marry a Millionaire. Walt Disney arrived at the theater later that year to exhibit the fist widescreen Donald Duck cartoon, which required subtitles for non-avian audience members.
In 1981, the theater's owners chose to shift from film to live performance. They renovated the building, converted the auditorium into a stage venue, and changed the name to Saban Theatre. Since then, the venue has hosted performances from the likes of Richard Pryor, Billy Crystal, and Sting. Even with its modern headliners, the theater still echoes Tinsel Town's Golden Age with its ornate plasterwork and grand sculptures.