Since 1981, Lorraine-Michaels Dance Centre's cast of passionate instructors has been helping students of all ages and abilities confidently express themselves through the art of dance. They lead these students through sashays, shimmies, and kicks with an exhaustive roster of dance and fitness classes that ranges from ballroom dancing to Hip Hop to kickboxing. During dance classes, they teach students to perform fundamental moves with confidence and musicality, covering a variety styles—including the Argentine tango, waltz, swing, and salsa—tending to bites from the dancing bug or disgruntled dance partners. They motivate students into performance shape in dance-inspired fitness classes such as Zumba, a regimen of easy-to-follow dance moves set to high-energy Latin tunes. In kickboxing sweat sessions, they inspire students to kick and punch their way toward their fitness goals, effectively toning muscles and scaring away the ghosts of gladiators past, while pole dancing classes build strength and teach students how to spin and climb.
Named for the Massry family, whose contributions to The College of Saint Rose helped propel the construction of the arts emporium, the Massry Center for the Arts furthers community appreciation for the arts through performances and events. Music-education classrooms and rehearsal rooms beckon fledgling performers to further their sonic craft, whereas a gallery and a recital hall allow artists to showcase their paintings or beat-boxed readings of the Constitution. The entire environmentally friendly center adheres to green standards, with a geothermal system for heating and cooling, wind-powered electricity, and hardwood floors made of American cherry wood culled from tree farms.
Since opening with a Frank Sinatra performance in 1990, the stadium now known as Times Union Center has seen more than 15 million guests pass through its turnstiles. That’s only slightly smaller than the population of the Netherlands and roughly equal to the number of people worldwide who enjoy candy corn. Besides attracting such entertainment titans as the Rolling Stones, U2, Disney’s “On Ice” series, and the Harlem Globetrotters, the multifunction arena is also home to the AHL’s Albany Devils and college basketball’s Siena Saints.
Hard-rock juggernauts Five Finger Death Punch give audiences four for flinching on their Share The Welt tour, a high-octane evening of nail-driving metal and chugging aural concrete. Since bursting onto the scene in 2007 with its gold-selling debut, The Way of the Fist, Five Finger Death Punch has scaled the charts and the musical food chain, gulping its competition like a possessed Takeru Kobayashi. For the tour in support of its latest effort, American Capitalist, the gang enlists an entire posse of heavy hitters. Massachusetts metal mavens All That Remains, fresh from melting soles on the Vans Warped Tour, bludgeon audiences with an arsenal of hits, and hardcore shredders Hatebreed share unkind words as they haze the speed of sound. Adding power-chord crunch to the show, Fort Wayne’s Rains sprinkles audiences with raw and emotional sonic sleet.
Wine-colored velvet hangs over the Palace Theatre’s vast proscenium stage, completing a picture of elegance sketched out by the ornate cream walls and balconies. Opened in 1931 as an RKO movie house, the theater has survived the century with much of its original furnishings intact, including the huge brass chandelier, the original murals by Andrew Karoly and Jules Zartol, and the pack of hyenas that provided the prototype laugh track for vaudeville shows.