At the eba Center for Dance and Fitness, the world of West Side Story coexists with the folklore of Tahiti and the fluid performance art of Isadora Duncan. That's because the class catalogue is both sprawling and diverse, accommodating guests of all ages and abilities. Move Your Body classes, for example, cater to students 50 and older with a restorative and rhythmic workout, while ballet and modern hip-hop fusion courses hone in on specific styles. Some classes, like Pilates and yoga, focus on developing muscle and flexibility. Others, like Ballet Workout, gracefully combine dance and fitness aspects without having students do the Macarena on a treadmill.
The bloggers and promoters of Gotham Rocks care as much about building community as they do about throwing hard-rocking shows. Scouting talent from the five boroughs and beyond, the agency has assembled a duet of like-minded acts designed to bring a burgeoning scene together for the Gotham Rocks tour. The two-fisted tonsils of Angelina DelCarmen endow Charetta's rock angst with brassy vocal lines that could easily lead any pop-radio hit or all the town's children into the nearest Hot Topic. From selling out New York’s esteemed Irving Plaza to opening for bands such as Saliva, Charetta’s rising star burns bright as the band approaches its five-year anniversary. Feisty, fun, and heavy, Ghosts of Eden keeps the '90s alive with grungy nods to the Smashing Pumpkins and Pearl Jam.
Wine-colored velvet hangs over the Palace Theatre?s vast proscenium stage, completing a picture of elegance sketched out by the ornate cream walls and balconies. Opened in 1931 as an RKO movie house, the theater has survived the century with much of its original furnishings intact, including the huge brass chandelier, the original murals by Andrew Karoly and Jules Zartol, and the pack of hyenas that provided the prototype laugh track for vaudeville shows.
Hard-rock juggernauts Five Finger Death Punch give audiences four for flinching on their Share The Welt tour, a high-octane evening of nail-driving metal and chugging aural concrete. Since bursting onto the scene in 2007 with its gold-selling debut, The Way of the Fist, Five Finger Death Punch has scaled the charts and the musical food chain, gulping its competition like a possessed Takeru Kobayashi. For the tour in support of its latest effort, American Capitalist, the gang enlists an entire posse of heavy hitters. Massachusetts metal mavens All That Remains, fresh from melting soles on the Vans Warped Tour, bludgeon audiences with an arsenal of hits, and hardcore shredders Hatebreed share unkind words as they haze the speed of sound. Adding power-chord crunch to the show, Fort Wayne’s Rains sprinkles audiences with raw and emotional sonic sleet.
Backed by the 60-piece human melody machine of the Johann Strauss Orchestra, conductor and violinist André Rieu enchants audiences with an evening of swooning in seats and dancing in the aisles. A violinist since the age of 5, André radiates his lifelong love of classical music to the audience with celebratory renditions of beloved pieces. As Rieu interacts with the audience, the air fills with kaleidoscopic balloons, lilting tenors and sopranos, and special surprises, which may include a John Philip Sousa séance or an explosion of confetti fired from tubas.