Since first enchanting moviegoers with a screening of The Desert Song on May 30, 1929, Madison Theater continues to treat attendees to the latest cinematic offerings. Designed by acclaimed American theater architect Thomas White Lamb, Madison Theater remained a single-screen establishment until 1994, and now projects motion pictures on seven screens, playing Hollywood features alongside films from local and independent moviemakers. As cinematic stories unfold before their eyes, visitors can scarf down handfuls of daily made, cholesterol- and trans-fat-free popcorn. Snackers seeking richer treats can request kernels slathered in canola oil or drenched in a soy-based buttery topping, which concessions employees also insert in the middle of the corn for lasting buttery taste and protection from the beaks of butter-syphoning hawks.
The bloggers and promoters of Gotham Rocks care as much about building community as they do about throwing hard-rocking shows. Scouting talent from the five boroughs and beyond, the agency has assembled a duet of like-minded acts designed to bring a burgeoning scene together for the Gotham Rocks tour. The two-fisted tonsils of Angelina DelCarmen endow Charetta's rock angst with brassy vocal lines that could easily lead any pop-radio hit or all the town's children into the nearest Hot Topic. From selling out New York’s esteemed Irving Plaza to opening for bands such as Saliva, Charetta’s rising star burns bright as the band approaches its five-year anniversary. Feisty, fun, and heavy, Ghosts of Eden keeps the '90s alive with grungy nods to the Smashing Pumpkins and Pearl Jam.
An accomplished trio of jazz artists kindles the Christmas spirit during a concert that features music from Vince Guaraldi's Peanuts holiday specials set to a storyline inspired by 1940s radio shows. After a disturbing news flash informs the audience that the Christmas spirit has been lost, musicians try to save the day by playing favorite carols, such as "O Tannenbaum" and "Greensleeves." Noted for nimble piano keystrokes, fresh arrangements of classics, and the unusual use of live roosters instead of trumpets, Guaraldi's catalog evokes simple, nostalgic memories of Christmases past. Jazz notes reverberate through the 400-seat Kathleen McManus Picotte Recital Hall, which traps the outgoing giggles of a tickled Steinway piano with Peter D'Antonio–designed acoustic panels and 380-pound doors. After the concert, families can relish their feelings of good cheer at a reception of milk, cookies, and mistletoe salad.
At the eba Center for Dance and Fitness, the world of West Side Story coexists with the folklore of Tahiti and the fluid performance art of Isadora Duncan. That's because the class catalogue is both sprawling and diverse, accommodating guests of all ages and abilities. Move Your Body classes, for example, cater to students 50 and older with a restorative and rhythmic workout, while ballet and modern hip-hop fusion courses hone in on specific styles. Some classes, like Pilates and yoga, focus on developing muscle and flexibility. Others, like Ballet Workout, gracefully combine dance and fitness aspects without having students do the Macarena on a treadmill.
Backed by the 60-piece human melody machine of the Johann Strauss Orchestra, conductor and violinist André Rieu enchants audiences with an evening of swooning in seats and dancing in the aisles. A violinist since the age of 5, André radiates his lifelong love of classical music to the audience with celebratory renditions of beloved pieces. As Rieu interacts with the audience, the air fills with kaleidoscopic balloons, lilting tenors and sopranos, and special surprises, which may include a John Philip Sousa séance or an explosion of confetti fired from tubas.