Even though the banquet hall at Medieval Madness is eternally stuck in the 15th century, its court isn't content to perform the same show forever. Every four months, the troupe updates its production of comedy and knightly combat, swapping out nods to politics and modern life as often as kings jail their favorite jesters for disobeying the fashion police. Each evening's reverie begins with a four-course meal served family style at long banquet tables. Like the show, the menu regularly rotates, though it always includes a succulent pear sauce crafted from an 800-year-old recipe, a perfect complement when drizzled over roasted meats or smeared on an opposing clan's coat of arms. Throughout the evening, guests watch on as the duke and duchess lob insults at each other, wenches break into tawdry songs, and knights fully clad in chain mail part the tables to challenge one another in exhilarating sword fights.
The Metropolitan School of the Arts - formerly the Metropolitan Fine Arts Center - was founded more than 14 years ago. This multidisciplinary performing-arts organization takes a holistic approach to teaching and encouraging performance-arts skills, creating performance opportunities in dance, music, and theater for a diverse population of students of all ages and abilities. Its students have gone to perform on Broadway, at The Juilliard School, and in highly esteemed companies, such as the Mark Morris Dance Company, The Washington Ballet, and Ford's Theater and Signature Theater. Youth programs include year-round programs in dance, theater, music, music-theater, and acting, as well as a performing-arts program in the summer, all for children as young as 2. Adult classes range from basic to advanced, including ballet, jazz, and tap lessons, plus yoga and ballet-barre fitness workouts.
An old-fashioned ambiance reigns in The Carlyle Club, expressed in an art-deco design scheme, frequent visits from respected jazz musicians, and guests’ predilections for saying “horse feathers.” Tall palm fronds back cushy leather booths and elegant marble tables loiter near the bar, all within sight of the intimate, blue-curtained stage. A bow-tied wait staff completes the back-in-time vibe, as do vintage posters and the intricately patterned wallpaper.
Inside the Rachel M. Schlesinger Concert Hall & Arts Center, works of art grow like flowers in a greenhouse. Amid the Mary Collier Baker Theater’s rich wood paneling and burgundy upholstery, symphony concerts burst to life, fed by stunning acoustics. The Margaret W. and Joseph L. Fisher Art Gallery, on the other hand, lets the work hanging on the walls do the talking, trumpeting the skills of local visionaries as they explore the bounds of aesthetic media.
THEARC is home to the only community theater in its area, which hosts the I Can summer program, an internship that teaches area young people ages 14–24 about technical-theater management. The eight-week paid internship will invite 10 new interns beginning this June for an introduction to the creative and practical skills required to produce and design plays. Interns also receive training in life skills such as resume writing, setting long-term goals, public speaking, and financial literacy. I Can aims to empower young people from disadvantaged backgrounds with the skills they need to achieve academic and career success. THEARC relies on the help of donations to provide each intern with the basic supplies they need to participate in the program.
Saphira, the matriarch and founder of Saffron Dance, didn?t even exist 20 years ago, much like ?I survived Y2K? bumper stickers. Saphira was known as Rachael Galoob-Ortega, a lawyer who practiced in DC and Florida for a decade. But her high-power career and hefty paycheck couldn?t extinguish her passion for dance. And so she became Saphira, an international belly-dance artist and instructor with numerous accolades, including being featured in American Belly Dancer, a documentary about belly dance in the United States.
Saphira opened Saffron Dance six years ago, and along with 18 fellow instructors, channels her years of expertise into dance courses that get progressively more challenging from week to week. Welcoming all levels, her classes teach both Egyptian-inspired belly dance and community-focused tribal belly dance. Regardless of the class type, Saphira and her teachers encourage pupils to express their unique voices through dance, all while keeping proper alignment, mastering precision, and having fun.