Cafe 322's homey atmosphere and fare will remind you of your Italian grandmother’s Polish dinner table. Try a different lasagna each day ($12.95) with the lasagna de la casa, or opt for the sophisticated mélange of flavors in the fettuccini di spinaci e salsiccia with fresh spinach, Italian sausage, and fresh garlic sautéed in olive oil ($12.95). Cafe 322 also serves up some tasty meatier dishes, such as rack of lamb, herb-crusted and served with butter mashed potatoes that fall directly into that place in your heart reserved for mom, America, and butter ($22.95). Smaller plates include salads, sandwiches, grilled panini, and burgers. Stars of the gourmet pizza menu include the quatro formaggio (layered with fontina, mozzarella, gorgonzola, and parmesan cheeses, $12.95) and the flavorful grilled chicken pesto ($14.95).
Founded on the principle that movies work best as social experiences, The Cinefamily devotes itself to finding and sharing weird and wonderful films during limited-run screenings and one-off special events. Currently averaging 14 shows per week, the movie house enhances many screenings with celebrity appearances, live music performances, and social activities such as potlucks and snipe hunts. From the theater’s cushy seats and leather couches, guests can take in pristine views of horror films, cult classics, and even TV favorites. Past events have included a month-long film retrospective of Dennis Hopper’s illustrious acting career, a Czech film festival featuring a screening of the surrealist and ultimately banned Daisies, and a celebration of director John Cassavetes featuring appearances by his frequent collaborators Gena Rowlands and Ben Gazzara.
Since it opened in Chicago in 1981, iO has been a beacon for the comedy world's luminaries and luminaries-to-be. Founders Del Close and Charna Halpern believed that improvisation could be more than simply games, and worked together to shape the often misunderstood comedic form into the free-flowing, longer-running artistic entity it is today. The resulting laughter proved too much to be contained by the Midwest alone, and in 1997, they raised the curtain on iO West. In the years since iO hosted its first show, more than 5,000 performers have walked through the doors of one?or both?training centers and theaters. A few of those individuals might be familiar: alumni include Mike Myers, Chris Farley, Adam McKay, Tina Fey, Amy Poehler, David Koechner, Jack McBrayer, and countless others.
Encircled by the mature trees of Griffith Park, the Greek Theatre is a premier outdoor venue with a rich history in Los Angeles. Opened in 1931, the open-air theater cradles up to 5,900 spectators in a design originally inspired by an ancient Greek temple, which pleased the gods by stacking its amplifiers to face Mount Olympus.
In the course of their four-decade-long journey of crossover musical innovation, Earth, Wind & Fire have garnered multiple Grammy awards and an induction into the Rock and Roll Hall of Fame. A tuneful panoply of styles including funk, soul, jazz, R & B, and pop are poured into a sonic stew of rhythms and stirred by EWF’s powerful horn section and African-influenced, weather-altering rhythms. The band’s 40th-anniversary tour culls tunes from EWF’s expansive polyrhythmic repertoire of falsetto-laced Top 40 hits and era-defining classics including “Serpentine Fire” and “Getaway.” With a Grammy-winning voice of his own, special guest Aaron Neville will join the band to soothe troubled minds with songs about faith, love, and mortgage-backed securities.
In 2008, South Pacific swept the Tony Awards®, capturing seven golden trophies, including Best Musical Revival and Best Director for Bartlett Sher. Based on James Michener's Pulitzer Prize–winning book, Tales of the South Pacific, South Pacific tells, dances, and sings the story of two couples—Navy nurse Nellie Forbush with French plantation owner Emile de Becque, and airman Joe Cable with lovely native lass Liat— torn by war and the temptations of tropical paradise. The original production won the Pulitzer Prize for drama in 1950, with its frank depiction of racial prejudice as a central theme.