The adage that "there are no small parts, just small actors" rings truest at The Center Stage Studio, where budding thespians of all ages get their share of the spotlight. Under the experienced wand of director Tracey DiMiceli, a seasoned performer and theater instructor who also helmed Malibu's prestigious "Fitness by the Sea" summer camp, young actors develop the skills to sing, dance, and deliver heartfelt Tony Award acceptance speeches in a wealth of classes and camps.
In the family-tailored musical theater camps, which feature themes reflecting popular musicals and children's shows, lil' thespians learn the fundamentals of theater technique—including blocking, projecting, and stage direction—and cultivate skills that boost self-esteem and critical thinking. Camps end with a public performance where every child gets a spot in a major musical number and receives a speaking role, curbing the theatrical tradition of jealous prepubescent understudies.
At the age of 5, Natalie Costa’s daughter was cute, lively, and photogenic—reason enough to give show business a try, she thought. But with no one to guide her and her daughter through the maze of booking auditions and getting representation, she found herself out thousands of dollars on useless portfolio shoots and manager fees. In response, Costa founded The Performers Academy, modeling the friendly, welcoming atmosphere on the dancing school she loved as a child. She made sure to stock it with instructors who had the inside knowledge she could have used at the outset: all professional actors, directors, and producers with lots of experience in film and TV and a special focus on children’s programming.
The academy caters both to kids seriously trying to break into the business and to casual enthusiasts who find performing a liberating way to build self-confidence. Age-appropriate classes deal with such key topics as managing audition stress, honing improvisational comedy skills, and projecting loud enough to be heard over that giant gong that somebody keeps bumping into.
The South Coast Symphony bills itself as "the unstuffy symphony." Which isn't to say that its pro musicians have any disrespect for the classical tradition?any given season likely will be rich with mammoth orchestral works and famous operas. But the group has broad tastes, and accordingly partners with a wide range of musicians to put on evenings of Broadway show tunes, renditions of classic-rock albums, and film-score performances. Many of the concerts are designed to be welcoming to a wide audience, including kids or adults who have never listened to anything besides CDs of funny sound effects.
MVDPAC has strutted its way to the top of numerous competitions, including first place in the 2009 CityVoter OC Hotlist for best dance studio. Under the limber guidance of decorated instructors, both novice and seasoned can shakers choose from the list of one-hour daily drop-in classes, where twinkle-toes light up floors with sparks rivaled only by Christmas trees that have fallen in the fireplace. Once inside the spacious studio, bodies bound across seven sprawling rooms and a studio theater. Students can elongate into states of grace through a selection of ballet courses, animate their legs and develop rhythm in the hip-hop courses, or practice freeform toe tapping and scatting the Greek alphabet through the jazz classes.
Festival of Arts of Laguna Beach has showcased the paintings, sculptures, and creations of local artists in an outdoor gallery alongside hands-on workshops and live music shows for more than 80 years. A carefully curated bumper crop of local artwork from 140 artists brightens gallery walls in a spectrum of styles, from romantic gemstone jewelry and modern abstract painting to sculptures that seem to defy the rules of physics.
Mere blocks from the ocean, the exhibits ring a spacious lawn, which brims with spectators for the festival's many events, including live jazz concerts, eco-friendly fashion shows, and live cooking demonstrations. During workshops, those spectators become artists themselves, stretching fingers into paint, pressing prints, molding clay, and post-modernly trying to eat bottles of glitter.