With a lineup of scary ghouls devoted to frightening the hearts of visitors, The ScareHouse will open its doors to reveal a masterful collection of spine-freezing horrors that will make hairs stand on end as if possessed by extra-hold raspberry jam. General admission gets visitors access to three separate haunts, designed with high-tech special effects and ultra-convincing props and prosthetics.
In 2009, the Duquesne Dukes men's basketball team put their own spin on the annual March Madness. Defying the odds, the team made an unprecedented run to the Atlantic 10 conference championship game and followed that with its first berth in the NIT since 1994. The resulting whirlwind brought plenty of media attention to a university that otherwise prefers to stay off the beaten path. Sprawled across a serene 43-acre hilltop campus, Duquesne University hosts 16 Division I athletic teams in sports such as soccer, track and field, and women's volleyball, and since the school's inception, the Dukes' colors of red and blue have remained the same, unlike a chameleon that constantly changes its favorite movie.
The show is produced by Pittsburgh Musical Theater and takes place in the historic Byham Theater. All tickets are in Gold Circle seating and can be picked up before the performance at the Theater Square box office or the day of at the Byham Theater box office. Children's tickets are regularly priced at $25.
The New Hazlett Theater, built in 1889 as the Carnegie Musical Hall, pays more of a resemblance to a cathedral than a concert space, from its austere stone walls to its soaring bell tower. In fact, the hall would serve as a religious retreat th
Founded in hopes of bringing about a revival of the American brass band, River City Brass aims to share the uniquely joyous art form with audiences across Pennsylvania. And for the past 30-odd years, the group has done just that. River City Brass’s 28-piece ensemble—some of whom have been members since the early ’80s—play more than 50 concerts annually. Their programs span continents and centuries, with every performance bringing a new showcase of styles. Modern music, classical pieces, big-band jazz, and show tunes have all passed through RCB’s bright cornets, chortling tubas, and crisp percussion.
Music director Betsy Burleigh has steered The Mendelssohn Choir of Pittsburgh's 120 vocalists to appearances with the Pittsburgh Symphony Orchestra and at the Library of Congress, venturing beyond their patron composer to other choral treasures. Mozart composed the soaring strains of his unfinished Great Mass in C Minor as an expression of thanks for the recovery from illness of his wife, who then sang the starring first-soprano part at its premiere. The work's occasional lightness of tone and operatic trills may come as a surprise to those with more solemn conceptions of liturgical music, though the opening Kyrie sets a tumultuous storm brewing with its use of the full chorus and solo for strobe light.