The nonprofit organization ETTA Art Studio splashes the Amherst community with artistic spirit flowing from the brain brushes of its experienced local artists and teachers. The master masterpiece makers pass on their creative tutelage via classes that cover clay working, drawing, puppet making, theater, and other artful subjects. On July 25–29, kids can swing by the studio for Fantastic Fairylands (ages 5–11) or Giant Puppetmaking, Improv + Movement (ages 8–12). And August 1–5, Collage, Diorama, and Painting (for ages 8–10) empowers pupils with the ability to construct fan mail for Vincent van Gogh.
Star Maker School boasts a staff full of professionals as well as alumni from all over the entertainment industry, including professional, tour, and major recording artist dancers; Broadway performers; commercial and voice-over actors. For nearly 40 years, its instructors have helped kids aged 2.5–18 accomplish transformations into these fields with positive reinforcement and confidence-building methods in dance, acting, and singing. Their philosophy prizes healthy self-image above all else, and they also help parents make educated decisions regarding breaking into showbiz.
Marx Entertainment founder Mark Ashe helped transform the role of the disc jockey in party culture since performing at a nightclub in 1979. For the past 30 years, Ashe built out the Marx group with a cadre of award-winning DJs, camera operators, and casino dealers that can upgrade any mere shindig into an extravaganza. Weddings, corporate parties, mitzvahs, and school events all harness Marx production services to make soirees more exhilarating than a game of Pin the Laser Tail on the Ice Sculpture.
The experienced, college-trained harmony wizards at Agawam Music dole out top-notch musical tutelage to budding musicians tickling all variety of instruments. Each personalized, one-on-one lesson allows drummers to drum, flautists to flaut, and saxophonists to phone home with the news that their pitch is really improving. Agawam also verses pupils in the arts of electric and acoustic guitar, piano, clarinet, and bass. Blossoming virtuosos can hone their euphonious skills in an array of genres such as blues, jazz, classical, and elevator muzak. Lessons are scheduled at a set time and day each week, and any added costs for learning materials, such as music books and gold-plated metronomes, will be the responsibility of the student.
As a graduate of the New England Conservatory of Music and a 12-year veteran performer and teacher, Nate Wilson is equipped to impart his mastery of the keys to students of all ages and skill levels. Though his master’s degree is in jazz performance, Nate is well versed in the classical and Suzuki methods, as well as rock piano. Other possible topics include improvisation, songwriting, music theory, and the proper technique for deadlifting and smashing a piano after a scorching solo.
When Maggie Carchrie voyaged to Cape Breton Island in Nova Scotia, she hardly expected to discover a passion that would win her the U.S. Mòd Women's Championship in Gaelic Singing two years later. She was immediately enchanted by the traditional music of the region, planning her future travels around the areas of Cape Breton and Scotland and diving headfirst into the Celtic culture. With a college degree in music therapy and a resume that boasts subsequent studies at the Ceòlas Music School, she built a foundation for a life filled with award-winning Celtic performance and education. She lays claim to two albums, books several East Coast showcases throughout the year, and furthers the reach of Celtic stylings through the concerts and CDs of Mermaid Productions. Maggie draws from all of these experiences to act as director of the Callanish School of Celtic Arts. There, she instructs students of all ages in music, dance, and lyrical language, managing a non-competitive venue for guests to experiment with age-old harmonies and master a brogue without having to install a second tongue. From the high-stepping choreography of Scottish Highland Dance to the signature keening of the bagpipe, she outlines several levels of melodic techniques, all of which are steeped in rich history.