The Worcester Chamber Music Society brings world-class chamber music to
intimate Greater Worcester venues. WCMS nurtures the community as well as young musicians through a unique combination of affordable concerts, education and community outreach.
The Hershey Theatre, conceived in 1933 by noted philanthropist and chocolatier Milton S. Hershey, stands as an opulent tribute to the performing arts. Taking architectural cues from Saint Mark’s Basilica in Venice, the foyer’s towering arches gleam with golden paint and crystal chandeliers. The blue-and-gold mosaic that leads to the main seating area is the masterwork of two German artists who spent two years on its construction. Once inside the theater, audiences might think they’ve stepped onto the streets of Venice thanks to the atmospheric ceiling, stonework facades, and gondoliers paddling them to their seats. ####Bethel Woods Center for the Arts Music has permeated the 800 manicured acres where the Bethel Woods Center for the Arts has stood since 1969, when farmer Max Yasgur agreed to let love, peace, and harmony grow wild at the very first Woodstock festival. These days, the renowned outdoor venue and cultural center continues to attract the biggest acts in music to its pavilion stage. The open-air design ensures ample ventilation on the natural sloping lawn, and a roof protects up to 15,000 fans from inclement weather and the prying eyes of Cessna pilots.
Hartford Symphony Orchestra's St. Patrick's Day Celebration regales ears with classic Celtic tunes commemorating the feast of Ireland's patron saint. Visiting from his usual perch at the Ridgefield Symphony Orchestra, conductor Gerald Steichen leads an army of instruments as it elevates the shimmering tenor of veteran singer Robert White, who has been nourishing auditory synapses since his radio debut in 1948. White fills listeners with Irish pride until they burst with clover leaves by belting out such distinctly Hibernian tunes as "Danny Boy," a slow, anthemic composition that resonates in the hearts of Irish emigrants. Renowned Irish fiddler Jeanne Freeman also fuels high-octane jigs with skills gleaned from County Donegal native P.V. O'Donnell.
Warner Theatre serves as profound evidence that grassroots efforts can make a difference in the arts. Opened by Warner Brothers Studios in 1931, the Thomas Lamb?designed cinema house served for more than 20 years as the area's top venue to gawk at the silver screen. Yet business declined with the rise of the television, and in 1955 a flood left the venue severely damaged. It was hardly a surprise, then, when the Warner faced foreclosure in 1981. But a non-profit, citizen-run group called the Northwest Connecticut Association for the Arts raised the $275,000 needed to rescue the theatre, and repaired the years' damages to the art-deco design. Today, more than 800 volunteer actors, musicians, designers, and crew members bask in the applause and gleefully thrown lorgnettes of an estimated 35,000-plus patrons each season.
Over seven years, the Boston String Quartet has vibrated strings in collaboration with artists such as John Mayer and the Boston Ballet, stirred the air molecules at Symphony Hall and PBS, and performed by invitation for former President George H.W. Bush. With this deal, eighth-note connoisseurs can wrap their eardrums around the quartet's dulcet tones as they present "Xibus," an evening of contemporary and classical that marks the zenith of a two-day workshop collaborating with Finneytown High School orchestra students. Over the course of the evening program, the quartet and the students will cajole their chordophones into ringing out in harmonious arrangements of music by Carlos Santana, the Beatles, Led Zeppelin, and Bill Gates's new Viking-punk band, as well as performing original compositions by members of Boston String Quartet.