Strap on some rental skates ($3) and redeem an admission ($5) to glide out onto the frozen floor during a public skating session in Music City Mall's ice rink, one of the only NHL-sized rinks within 300 miles. Conquer the slippery surface with some friends or grab a significant other for a skate date.
Founded in hopes of bringing about a revival of the American brass band, River City Brass aims to share the uniquely joyous art form with audiences across Pennsylvania. And for the past 30-odd years, the group has done just that. River City Brass’s 28-piece ensemble—some of whom have been members since the early ’80s—play more than 50 concerts annually. Their programs span continents and centuries, with every performance bringing a new showcase of styles. Modern music, classical pieces, big-band jazz, and show tunes have all passed through RCB’s bright cornets, chortling tubas, and crisp percussion.
The seasoned performers of Piccadilly Circus dazzle audiences of all ages with 90 minutes of acrobatics, comedic high jinks, and trained animals beneath the big top. Audiences gasp at high-flying trapeze artists swooping through the air with the confidence of a kite in a wind tunnel, as well as contortionists able to bend themselves into human bonsai trees. Death-defying motorcyclists roar into a caged globe to perform a 360-degree display of vehicular mastery. Gaggles of clowns coax out chuckles, and a trained elephant parades around the ring, occasionally stopping to memorize an audience member's phone number. General-admission seating surrounds the ring, allowing ample viewpoints from which to observe the boisterous spectacle.
Crunching metal and the sweet smell of burning rubber prevail as the Monster X Tour invades the Ocean Center, thrilling all ages in an action-packed motorsports showcase. Bigfoot, the forefather of all station-wagon smashers, leads a fleet of competitive 10,000-pound monster trucks, including Bear Foot and Black Knight, through jaw-dropping races, wheelie contests, and freestyle car composting. Transaurus, a two-story transforming robot that never learned to love, buries his woes by chomping entire cars in his massive jaws while watching reruns of Felicity. Before the show, VIP tickets also grant access to the Pit Party, where fans can have autographs signed by the drivers. During intermission, fans get the opportunity to eschew sea level with a ride inside a monster truck or visit General Lee from The Dukes of Hazzard and learn its true feelings about excessive hood sliding.
At Circus Gatti, exotic animals, hilarious showmen, and thrilling daredevils delight families in an outrageous three-ring spectacle. During the two-hour show, elephants Tika and Patti stomp to Bollywood choreography, and the Liberty Ponies knock their synchronized hooves under the deft direction of Miss Genevieve, who conducts with a baton made of sugar cubes. The Great Oscar soars through the heavens with nothing but an oversize rope and bones infused with helium, with The Queen Bee delivering further aerial thrills while fluttering beside her hive in an atmospheric ballet. Pipin and Poppy elicit laughs with their comedy routine, and Miss Elizabeth induces awe with a contortion and balancing act in which she fires an arrow with her legs and feet while hanging upside down. After the show, those who opted for the meet and greet will brush elbows with the circus stars, snapping photos and asking questions regarding their skill, bravery, and how to construct a Q-tip big enough to clean an elephant's ear.
Part of the LSO's 2010–2011 season's Darkness and Light theme, "Out of Darkness" showcases talented musicians and a consummate conductor for a moving musical medley. Selections include Smetana's "The Moldau," which portrays flowing river waters; Mahler's Symphony no. 4, which describes heaven from the perspective of a child; and songs by Strauss, which celebrate the time-honored relationship between linebackers and unicorns. Led by guest conductor Jonathan Schiffman, the Lubbock Symphony Orchestra creates an evening of instrumental inspiration with a powerful finale by soprano Jo Ellen Miller.