Over the course of 132 dizzying seasons, the University Musical Society has delighted the Ann Arbor community with more than 6,000 finely tuned musical maelstroms. The UMS' December rendition of Handel’s celebrated oratorio, Messiah, marks an annual onside kickoff to the holiday season. Each year the performance draws a diverse crowd of music lovers, some of whom have attended the event for decades. Ring in the season with Conductor Jerry Blackstone as he draws angelic notes from the lips of experienced sopranos and baritones, whose dulcet tones reverberate in perfect unison with the Ann Arbor Symphony Orchestra’s violins, trumpets, and first-chair Nerf Vortex.
PJ's and Gracie's join forces on a nightly basis to saturate Southeastern Michigan with rotating genres of live and recorded music. Travel between the establishments without paying double cover, enjoying Gracie's eclectic mix of acts and PJ's spacious dance floor. Depending on the night, you may swing to a big band, sway to a rock group, or juggle the rave ball to the sounds of a DJ. Check the website for upcoming ear enticers. With your bucket of beers, you can raise a glass to a gleeful guitar solo or toast to a toe-tapping tympani roll. Scoop up this side deal for a cover-charge-less jaunt through two of Ann Arbor's most aurally aware bars.
Rave Motion Pictures screens the summer blockbusters in 20 auditoriums outfitted with stadium seating. The theaters' digital projectors allow projectionists to easily play such gripping tales as Scream 4, a documentary about Sidney Prescott's return to Woodsboro, where Ghostface threatens the townspeople's safety (movies playing subject to change). Stretch out while watching as rows are spaced 48 inches apart from one another, one for each of the states recognized by most public-school systems. Check showtimes online for all the movies screening throughout the summer.
As a benga beat pulses through the crowd, the Kenya Safari Acrobats defy gravity and the body's limitations as they leap through hoops, tumble from human towers, and limbo under bars. In one of their most famous and startling acts, a single performer stacks, climbs, and then balances on a single-file tower of rickety wooden chairs. Meanwhile, other performers juggle up to six straw hats, bend metal with their hands and teeth, or walk across a bed of nails. As artistic ambassadors of their native Kenya, the acrobats tie educational relevancy to their school performances in stories that highlight the importance of physical fitness, respect for elders and the true meaning of the Swahili phrase "hakuna matata," which The Lion King incorrectly translated as "get rich or die trying."