Born in Melbourne in 1978, Circus Oz is an animal-free circus troupe that performs all the death-defying stunts and astounding feats of Cirque de Soleil while undercutting its spectacle with a refreshing dose of irreverent Australian humor. The motley band of tumblers, tightrope-walkers, foot-jugglers, magicians, and acrobats favor leather pants, Viking helmets, and wild facial hair over spangly Lycra unitards—giving the circus a wondrously raw feel, like a steampunk Victorian circus comprised of Mad Max extras. Over the course of two hours, voluptuous ringleader Sarah Ward will unfold a cheeky phantasmagoria of star-crossed trapeze artists, roller discos, bicycles overflowing with 11 riders, two men balanced atop the shoulders of a single woman, and a mysterious event known only as “the senior citizens’ hour of power.” An off-kilter brass band (complete with a tiny tricycle organ) replaces the typical cirque’s New Age mood music with joyous rock and roll.
Founded in 1926, the Stockton Symphony has plucked at audience's heartstrings for the best part of a century. First on the evening's program is Mozart's overture to The Abduction from the Seraglio, a brisk curtain-raiser that combines lively percussion with swooping strings. Next up is the Symphony No. 38 in D Major, a work renowned both for its elegant restraint and its emotional appeal, much like a dolphin in an Abraham Lincoln costume. The finale, Mozart's Requiem, is universally considered one of essential works of classical music. For its performance, the Stockton Symphony welcomes to the stage the Stockton Chorale and soprano Anja Strauss, whom San Francisco Classical Voice has called, "explosive."
In the 74 years between the Paramount Theatre's opening night, when people used to line up to see “talkies” for 50 cents, and 2002, when it was voted Best Mainstage Theatre in a Seattle Weekly Reader's Poll, the palatial venue faded and decayed alongside its Roaring Twenties brethren throughout America. Luckily, former Microsoft Vice President Ida Cole saved it from the rubble heap in the mid-‘90s when she established the Seattle Landmark Association and vowed to render the Paramount "kissable" once again.
Over the course of seven months, the renovation crew expanded the size of the stage wings to accommodate more ambitious live productions. They also cleared decades of grime from the french baroque plaster reliefs, uncovering long-forgotten designs and causing only one long-dormant horror to snap open its eyes dramatically. They also replaced the gold leaf in the floral designs of the wall medallions, repainted all the surfaces in their original 16 colors, and scrubbed each of the 1.6 million crystal beads in the chandelier by hand with a toothbrush. The original Knabe Ampico player piano was returned to its spot on the four-tiered lobby's lush carpeting, and a 21st-century sound system now shares sonic space with the thundering, luminous sonority of the Paramount's fully restored Mighty Wurlitzer organ. Though the Paramount's calendar runs the gamut from rock concerts to standup comedy to Broadway musicals on the scale of Wicked, its decadent Beaux Arts trappings transport audiences to the days when reality was still black and white.
The detail-oriented instructors at Art a la Cart take students through each painting step-by-step, showing them how to mix and blend their own colors and build compositions from the background without having to first live among paintings in local art museums. They supervise students in a themed class series as they paint still-life fruit and candies, portray whimsical landscapes, depict parts of the San Francisco skyline, or emulate the style of a classic artist. Groups explore each subject and question its lack of Renaissance cupids in one of five locations, which include wine-cellar tasting rooms, underground wine bars, and a modern minimalist cocktail lounge. Staff members supply all acrylic paints, brushes, and other gear for each class; and though they don't provide any libations, instructors encourage participants to bring or purchase their own drinks.
Musically Minded Academy is a non-profit music school and community arts center located in Rockridge, CA.
Our core mission is to provide high quality music education, to host concerts and other arts-related education programs, and to act as a haven for musicians and music lovers in the greater East Bay Area.
Taking its name from a Sean O'Casey play, The Plough and the Stars wears its Hibernian heritage on its sleeve as it captivates visitors with an atmosphere of Irish whiskeys, heady beers, and live music. The owners and most of the staff hail from the Emerald Isle, charming their guests with authentic accents and a mastery of pouring Guinness the Irish way—easing the black ambrosia into a glass as they recite On Raglan Road while drinking a cup of water. Patrons sip perfectly mixed irish coffees as they watch Celtic set dancing on Thursdays or raise their glasses of draft Kilkenny and Smithwick's to live bluegrass, blues, and traditional Irish tunes almost every day of the week.