Step beneath the domed, packed-mud ceiling of a traditional Navajo family dwelling. Weave a Yavapi burden basket. Explore a secluded garden filled with bronze sculptures of women in prayer. By immersing visitors in Native American artifacts and artworks, the Heard Museum's exhibits strive to illuminate the cultural legacy of Arizona’s indigenous peoples. The collections emphasize first-person accounts of Native cultures, not only through artwork, but also in interviews with Native Americans, portraits by Navajo photographers, and monthly lectures. In addition to showcasing historical artifacts, the Heard Museum exhibits contemporary American Indian artwork. Like a ballerina trapped on a carousel, exhibits rotate often, and have included collections of Native American bolo ties, Hopi pottery, and 20th-century paintings depicting Native ceremony. Passing on cultural traditions to future generations, the staff educates children with tours, and brings Native American presentations and curricula to area schools.
As they enter the massive brick building, visitors pass the Watercarrier, a curved bronze statue that lends a first glimpse at a staggering collection of ancient and modern Native American works. Established in 1893, the Arizona State Museum celebrates and records Southwest Indian cultural history with more than 3 million objects, including a collection electrified with more than 25,000 pieces of woven basketry, more than 300,000 catalogued archaeological artifacts, 500,000 photographic negatives and original prints, 90,000 volumes of rare titles, 6,000 maps, 1,500 feet of archival documents, and more than 1,000 sound recordings. The collection forays out onto the museum floor in exhibitions such as Ancient Architecture of the Southwest, where striking photographs frame some of the crumbling archaeological ruins of 1,000-year-old cliff dwellings set against a rugged desert landscape while tastefully photoshopping out the ancient satellite dishes. The Pottery Project spans 2,000 years of Native ceramics with more than 20,000 whole pieces and a lab for hands-on pottery testing. Using artifacts, life-size dioramas, and film, Paths of Life explores the history and contemporary lifeways of ten Native cultures, including those of the Yaqui, O?odham, Apache, Navajo, and Hopi.
Museum staff further engage visitors in events that range from talks with museum curators and Native artisans to learning expeditions, which invite guests to tag along with museum and university archaeologists to survey nearby sites, immersing them in the scientific dig experience nearly as effectively as watching Indiana Jones with your nose to the screen. Educational outreach for public-school and university students immerses them in camps and workshops. At the Native Goods museum store, visitors browse a stock of books alongside basketry, jewelry, carvings, and textiles crafted by artists from Yaqui, Hopi, and other nations.
No one knows where Dr. Vantas lost his way. Once an esteemed doctor at the vanguard of electroshock therapy for the mentally insane, the physician let his psychiatric hospital become a madhouse, prompting rumors of Vantas using inhumane experiments on patients. Those who enter his territory risk falling prey to its deranged denizens and the quack?s extremely cold stethoscope. This is the spine-tingling, horror-film narrative that plays out to visitors as they creep through The Asylum, a haunted site modeled after an 1870s-style mental institution and one third of of The Crypt Haunted Attractions? three-piece tribute to fear.
The next stop is the The Crypt, a vault filled with the living dead that beckons intrepid guests to descend into it. Tiptoeing through the chamber's darkened corridors, voyagers must stay poised as they strafe around staggering corpses groaning about their hunger for brains or the lack of legroom in their casket. Anchoring the evening of fright is the Chaos Maze, the new lawless labyrinth that requires cunning, agility, and fearlessness to make it through unscathed.
It begins with a flurry of activity. Balloon operators prepare for lift-off, checking equipment and tossing ropes as spectators wander the grounds, observing the action. And then it reaches a new level: dozens of balloons take flight at once, filling the crisp December dawn sky with brilliant blues, purples, oranges, and reds that rival the colors around them. The Arizona Balloon Classic's orbs then set off on an aerial hare-and-hound race, drawing cheers from below as onlookers snap pictures.
For one weekend each year, visitors gather on the grounds to snap pictures and watch the balloons inflate and lift-off outside the Gilbert Civic Center for the Classic––a three-day festival celebrating hot-air balloon flight and culture. But the fun doesn't end with the descent to earth. After sunset the tethered balloons begin to glow, lighting up for the DESERT GLOWS portion of the festivities. Attendees browse exhibits and feast on treats from a variety of vendors, and children play in the Family Fun Zone. Last, on Saturday evening, sparks give balloons a run for their money, springing through the sky in a stunning fireworks display.
Salt River Shuttle's chauffeurs run a fleet of SUVs, vans, and party buses between the metro Phoenix area and the picturesque shores of Salt River. They safely drop off families of fun-seekers and groups of friends or coworkers at a stretch of placid riverfront flanked by massive red-rock formations and open fields. After disembarking, passengers are free to spend lazy afternoons floating down the gentle current in tubes or the mouths of friendly sea monsters before drivers reappear to transport them home.