A boutique dance school with highly qualified professional instructors, state of the art facility and a warm, friendly, non-competitive atmoshphere. Currently in our 20th year of business with the same consistent ownership. Classes offereed for three-year-olds -adults, in Ballet, Pointe, Jazz, Tap, Tumbling & Juggling!
In 2009, while refereeing women’s flat-track derby bouts, the founding fathers of the St. Louis GateKeepers realized they wanted a taste of the speed, adrenaline, and action found in competitive roller derby. The pair gathered a crew of like-minded skaters and, in November of that year, the GateKeepers held its first league practice. By the end of their 2012 season, the league had expanded to feature three teams, plus a travel team that defends St. Louis from out-of-town opponents hoping to claim the Arch as a trophy. Despite its expansion, the GateKeepers stands by its original mission to provide a league for the players, by the players, and welcomes men from all walks of life to try on the sport's sweat-soaked jerseys and multicolored bruises.
The Improv Trick’s founding funnyman Bill Chott is a graduate of the Ivy League of improv schools, The Second City. He put in his time working alongside Tina Fey, Amy Poehler, and others before making the leap to screens made of silver and TV particles. Comedy connoisseurs recognize his voice from various Saturday Night Live animated shorts, and his unmistakable mug from movies such as The Ringer and Galaxy Quest, and television shows such as Disney’s Wizards of Waverly Place and It’s Always Sunny in Philadelphia, among many others. He has also lent his writing talents to SNL and The Dana Carvey Show. His impressive resumé translates into a reliable and wealthy source of comedic knowhow, which he gladly imparts to his students, staff, and his own reflection.
Internationally known burlesque star Lola van Ella captains VanElla Studios, home of burlesque-infused dance and cardio classes that are “pure fun,” according to St. Louis Magazine. Clients can build confidence and performance repertoires in a panoply of body-positive classes, such as Burlesque Basics 1, which covers moves such as the shimmy, the bump-and-grind, and boa-wielding, which teaches guests how to seductively fashion a lasso out of a boa constrictor to reach coconuts for survival. For a higher-octane workout, rug-cutters with some dance experience can enroll in the hip-hop sequence, whose fast-paced choreography matches a soundtrack of rap and R & B tracks. In each class, an average of 10 students follow in the footsteps of instructors with professional dance experience.