Arthur Murray has been a leading name in franchise dance since 1912, when the entrepreneur began selling mail-order dance lessons. Expanding his reach, he enlisted teachers to spread his signature dance lessons on first-class steamships and skyrocketed to fame in the '30s after introducing the public to such dances as the Lambeth Walk and The Big Apple. By the 1950s, Arthur and his wife, Kathryn, were hosting their own highly popular TV show on ABC, The Arthur Murray Dance Party, which ran for 12 years. Today, Arthur Murray's team prepares students for rug cutting at special events and weekend nightclub jaunts. Throughout lessons, instructors teach the foundations of two to four dances from a long list of styles that range from Latin to country-western, helping students to learn basic step patterns, timing, and the ability to lead or follow.
The Westboro Area JCC organized this locally focused event, with proceeds benefiting the preschool program of the area. There will be more than 30 restaurants across a wide variety of cuisine types offering samples for hungry attendees. Featured restaurants are primarily from Marlborough, Northborough, Southborough, and Westborough. Though the list of participants isn't finalized yet, confirmed restaurants include Tavolino, CJ's Steakloft, and Not Your Average Joe's, among others. You'll also get to sample palate-cleansing wines and craft beers. While you peruse the lineup of eats and drinks, check out the live and silent auctions taking place, where you can bid on Red Sox tickets, weekend getaways, and local and national goods. View some of 2009's auction lots here.
Drawing on a background that includes 27 years as a violinist with the Boston Symphony Orchestra, music director Max Hobart leads the Wellesley Symphony Orchestra through carefully curated programs with verve. The Valentine's Love Fest concert stars operatic husband-wife duo Brian Landry and contralto Ana Maria Ugarte as they essay songs from Carmen, Tosca, and Rigoletto, melting hearts and shattering brittle emotion processors with their voices' romantic resonance. The orchestra's musicians enhance the euphony with pieces by Wagner, Saint-Saëns, and Puccini. A preconcert lecture given by Wellesley Symphony Orchestra president Leslie Holmes educates listeners with info about the music and its interpreters.
Founded in 1924 as a vaudeville palace and movie house, The Strand Theatre harks back to the cinematic havens of yore with its homey auditorium space and vintage marquee. Groups enjoy recent releases and classic films while seated at tables, which grant unimpeded legroom and preclude fistfights over whose cup holder is whose. The tables are placed in a staggered and tiered arrangement that ensures every audience member has a clear sightline. The in-house restaurant shares a full-service menu of appetizers and entrees from the grill, as well as craft beer and wine, all of which can be enjoyed inside the theater.
The Worcester Chamber Music Society brings world-class chamber music to
intimate Greater Worcester venues. WCMS nurtures the community as well as young musicians through a unique combination of affordable concerts, education and community outreach.
Originally formed in 1997 at the Peabody Conservatory, Vento Chiaro's all-female quintet of woodwind musicians captivates audiences from their resident perch on The Rivers School Conservatory's stage. Their sonic tapestry seamlessly weaves joyful flute with mischievous oboe as the deeper reeds of clarinet and bassoon invite the regal brass of French horn to frolic in the woodwind woods. On March 11, all five musicians kick off with contemporary American composer Eric Ewazen's Roaring Fork, which paints an aural picture of a Colorado landscape as rugged and beautiful as the stone woman who will one day drop all four jaws of Mount Rushmore. Conservatory artist-in-residence pianist Roberto Poli joins his colleagues for Francis Poulenc's Sextet, melding the airy notes of the quintet with the keyboard's undulating melodies. The concert culminates with avant-garde composer Elliott Carter's Woodwind Quintet, eschewing regular chord progression for surprising atonal devices and polyrhythmic construction.