Although it’s the oldest continuously running theater in Michigan (and the third oldest in all of the United States), Croswell Opera House has more vibrancy than most venues half its age. Renovated over the last two decades with a new stage floor, an enlarged orchestra pit, and burgundy and gold medallions atop a fresh coat of paint, the historic venue has lost none of its old-fashioned charm as it continues through its second century.
Originally constructed in 1866, the downtown epicenter of Lenawee County arts and culture has played host to a rich timeline of American entertainment. The 1800s featured vaudeville acts, musicians, and orators such as Susan B. Anthony and Frederick Douglass, and the early 1900s saw silent movies swallowed by the next wave of cinema: loudies. Although it was nearly demolished in 1967, the opera house persevered with the loving care of its staff and patrons, and today continues to host a wealth of musical acts, Broadway shows, and children’s theater.
Dubbing the theater “The Palace” when it opened in 1921, Chicago architect J.S. Aroner strove to capture a regal ambiance with a patchwork of diverse, though uniformly opulent, building styles. Patrons today can spot baroque, Greco-Roman, and even art-deco designs as they drift through the restored rose, blue, and cream entryway. But in 1959, The Palace was crumbling, and it seemed that future generations would miss out on this aesthetic experience. A concerned citizen by the name of Mrs. Ella Morris swooped in, though, purchasing the building for an undisclosed sum and then selling it back to the city for $1, which she promptly blew on gumballs. Newly named, the theater welcomed such acts as Louis Armstrong, REO Speedwagon, and Fleetwood Mac in the ensuing decades until a major, two-year overhaul began in 1998. Now restored to its original condition, the venue hosts standup acts, Broadway musicals, big-name concert performances, and fully produced ballets.
Called “a jewel in this community” by the Lima News, the Lima Symphony Orchestra has been consistently performing inspiring classical performances since 1953. In "From Russia with Love," the symphony’s talented soundsmiths will recreate Tchaikovsky’s Pathetique and Sergei Prokofiev‘s Violin Concerto no. 1, anchored by the solo stylings of acclaimed Bulgarian violinist Alexandrina Boyanova. "The Power of Percussion" will kinetically present a collection of classic choral music, as well as up-and-coming percussion soloist Lisa Pegher, who can rhythmically tap on everything from the drums to Danny DeVito’s head. To reserve seats, concertgoers can call or stop by the box office with their Groupons Monday–Saturday from 9 a.m. to 4 p.m. Check out the seating chart here. All seats are open to all ticket buyers on a first-come, first-served basis. Reservations are required.
Recognized by Billboard as one of the top 25 touring artists of the 2000s, Trans-Siberian Orchestra explodes onto the stage with a juggernaut of progressive rock and metal infused with symphonic instrumentation and themes. Surrounded by a spectacle of lasers and pyrotechnics, the band's 2012 tour covers the entirety of its millennial concept album Beethoven's Last Night, a rock opera set on the eve of the composer's death as he battles wits with the devil for control of his soul, his 10th Symphony, and his collection of vintage ear trumpets. The show opens with the methodical triplets of Moonlight Sonata played on a lonesome piano, swelling and slowing before the thunderous arrival of drums and electric guitar. Plumes of flames blast from the stage as the group careens into the evening's centerpiece, "Requiem," a hard-rock interpretation of the Fifth Symphony, grounded by light-bending ax solos and tumbling violins punctuated by a heavenly backing choir.