Since its origins as a converted parking garage, Alamo Drafthouse Cinema has ushered film-lovers of all breeds into its auditoriums, even gaining a following among Hollywood legends; Quentin Tarantino has been known to host five-day movie marathons at Alamo. The theater has earned that reputation by making moviegoing a personal experience, from the menu of handcrafted snacks and locally brewed beer to the completely ad-free presentations before shows. Alamo?s ninja servers pick up written food and drink orders throughout the movie and serve moviegoers directly at their seat. The staff enforces a strict no-talking, no-texting policy by kicking out any offenders, falling just short of yanking them from their seats with a giant's shepherd's crook.
Both first-run blockbusters and classics are projected onto Alamo's silver screens in crisp 35-millimeter or digital format. Meanwhile, surround speakers immerse audiences in the cinematic soundscape, whether they're seated in one of the expansive theaters afforded to blockbuster reels or the more intimate spaces reserved for indie films wound around tiny bobbins. Despite Alamo's vow of silence, fan-centric Quote-Along and Sing-Along nights encourage guests to shout their favorite lines, and actors, directors, and other celebrities often attend special screenings to lead in-depth discussions. These exclusive events have led to acclaim for Alamo from publications such as Entertainment Weekly, which called it ?one of America's most fanatically unique moviegoing experiences,? and Wired, which opined that it "might just be the coolest movie theater in the world."
Kenneth Threadgill stood in line all night to be the first person in Travis County to get a beer license. It was 1933, and the bootlegger and country-music connoisseur had plans to evolve his filling station into something bigger?though even Threadgill probably couldn't have anticipated how big it would become.
It started with touring musicians stopping in for drinks after their shows. By the ?60s, Janis Joplin was on stage, polishing her unpolished sound for crowds from all walks of life. The evolution continued, with Threadgill's hosting artists from Jerry Lee Lewis to Captain Beefheart and expanding into a Southern-style restaurant where the love of music ironed out disagreements and engendered an atmosphere of tolerance.
Today, the original location on North Lamar harks back to Threadgill's beginnings, with current owner Eddie Wilson decking the place out with decor that evokes the Austin of the 1930s to the 1960s, including vintage signs that say, ?I can?t wait for the internet to be invented.? The second location on West Riverside celebrates the 1970s music scene that thrived at the Armadillo?Wilson's former establishment at that location. At both venues, chefs churn out classic Southern food, such as chicken-fried steak and fried green tomatoes, while frequent live music entertains guests.
Although Stewart Yaros has performed with numerous elite companies, including the Boston Ballet and the Basel Ballet in Switzerland, his true passion is teaching dance. Teaching allowed the University of Massachusetts and Martha Mahr School of Ballet alumnus to combine his finely honed dance expertise and his zeal for communicating with others via the "common language" of dance in particular and the arts in general.
That theme of unity and togetherness dates back to the early days of Dance International, circa 1991, when the now bustling center for dance tutoring consisted of three students, their devoted teacher, and an old player piano that played Chopsticks. Today, the organization has swelled into a hub for upbeat, accessible instruction from professional-level teachers and is well-known for organizing the Austin Ballroom Festival.
Part of the guiding vision for Dance International is a focus on community service, as well as promoting the arts by introducing music and visual forms into the dance milieu. True to its multidisciplinary ambitions, the Dance International empire recently achieved 501(c)3 national nonprofit status and will soon add art and music classes.
FunFlicks Outdoor Movies’ inflatables transform outdoor festivals, park outings, backyard parties, gymnasiums, and other spaces into pop-up entertainment venues. Helpful attendants drop off and set up inflatable screens for an evening’s viewing, along with high-definition projectors, DVD and Blu-ray players, and booming audio equipment or an optional short-range FM broadcast. Screens in 12-foot and 18-foot sizes provide intimate viewing for groups numbering in the dozens, whereas behemoth 45-foot screens can support audiences of more than 5,000 or act as a comfortable air mattress for a sleepy giant. The rentals can also be used to display slide shows, video games, and live television, and additional amenities such as popcorn machines provide guests with theatrical comforts.
Premiere Inflatables entertains with more traditional inflatables—in other words—ones that encourage people to climb all over them. Crews deliver dry and wet inflatable slides, inflatable obstacle courses, and bounce houses to parties, and after setting them up, perform a quick sanitizing wipe-down to ensure they're squeaky clean. All of the inflatables are made in the USA and none are more than 3 years old. Some of them even feature both a jump area and water slide that ends in a refreshing pool.
Chi Chi Randolph has choreographed routines for hip-hop artists including Nelly and the Black Eyed Peas. Kari Lehman has 15 years of ballet training experience. Viviane Bressan turned her love of belly dance into a career, traversing the globe while teaching and performing the ancient art. At Dance Austin Studio, these three number among more than a dozen dance instructors whose dazzlingly diverse backgrounds enable an array of classes for everyone from preschoolers to grownups and fitness buffs to serious students of dance.
Zumba combines fast-paced cardio choreography with dynamic Latin rhythms, and the 18-and-older Sexy Stiletto Fit class uses high heels to tone calves and build confidence. Students can choose to learn fundamental positions, steps, and vocabulary during structured ballet, lyrical, and jazz programs, or they can develop video-ready swagger during hip-hop classes. The studio’s sense of fun occasionally spills out into the community—it recently teamed up with the city’s Office of Homeland Security and Emergency Management to spark a flash mob at city hall, held to raise awareness of emergency preparedness and help officials practice what to do if invaded by dancing aliens.
When Felicity Coltman founded it in 1981, the Austin Chamber Music Center's goal was simpler than it is today, yet still ambitious: to create a summer chamber-music workshop for teens. Since then, not only have many alumni gone on to become professional musicians, but the center has expanded into an outreach organization whose concerts and instruction brings chamber music to Austin ears, instruments, and hearts. Adults of similar skill levels gather into small chamber-music groups, whereas youngsters meet with instructors on weekends, during the summer, or in school. Just two years after its founding, the center sent students on two European voyages and hosted musicians from Salzburg, starting an international exchange program that continues today.
In 1988, a unique performance series took form with the center’s Intimate Concerts, which take place in private homes so that audiences can experience the music in a personal way and help their cats learn to read sheet music. Led by artistic director Michelle Schumann the center now holds year-round concerts for a variety of musical tastes, with all programs including live program notes.