Eastpoint 10 Cinemas showcases the latest Hollywood blockbusters on screens that face sloped or stadium-style seating. Digital and 3-D projectors entertain audiences with high-resolution images that virtually pop out of the screen, making viewers feel like a part of the film without having to actually fight off bloodthirsty aliens, wicked witches, or Gerard Depardieu. The theater occasionally pairs screenings with special tie-in events, such as karate demonstrations to go along with martial-arts flicks.
Erica Saben's passions have taken her near and far. She studied dance, political science, and Caribbean culture in Kingston, Jamaica, before returning to the United States to perform with several multicultural companies. A juggling gig in Philadelphia introduced her to two local circus experts who knew the director of Philadelphia School of Circus Arts. From this chance meeting blossomed a new chapter in her life: in addition to teaching her her big-top skills such as aerials and tightwire, they introduced her to Chinese acrobat Lin Junming, who would become her resident acrobatics coach when she founded Charm City Movement Arts.
Nestled between Canton and Brewer's Hill, the studio and performance space lets children and adults live the lives of professional circus performers without having to sneak into a tent disguised as a barrel of clown feed. Each instructor boasts experience in diverse movement backgrounds: Lin is also a member of the Fujian Acrobatics Troupe of China, and managing director Paco Fish has taken home awards in several Southern burlesque competitions. Other instructors draw from backgrounds in rock climbing, slacklining, acrobatics, and aerial work. Using this range of skills, they teach students the basics of Western and Chinese acrobatics, Broadway tap-dancing, modern dance, juggling, unicycling, and blends of clowning and burlesque. When not in class, staffers and students also hone their own chops as performers in seasonal dance and circus shows.
Kim Yates's passion for the macabre spawned from a 1973 ride through the Haunted Mansion at Disney World, after which the child collected props and crafted monsters for her parents' front porch. Over the next several decades, Kim channeled her energy into drumming for a Baltimore metal band and building a sprawling Halloween attraction in her front yard and then watching it blossom into a full-scale haunted house in 1994. Despite various relocations, her indoor haunt has been growing ever since.
Featured in the Baltimore Sun, Kim’s Krypt sets Charm City teeth chattering with 25- to 30-minute adventures teeming with unexpected spooks and surprises in a show that adds new scenes annually. A terror-ridden tradition for more than 21 years, the indoor haunt invites brave patrons to test their nerve against killer clowns soliciting screams, zombies seeking fresh flesh, and blood-spattered apparitions recklessly searching for change for a $20 bill. Staffers fortify patrons for their harrowing journey with a range of concession fare as they converse at the covered waiting area after receiving their first shock of the night in the form of free parking. A force of uniformed and plainclothes police officers patrol the building to ensure visitors scare in safety.
Every week, Magooby's schedule features established national headliners, including comedians featured on Letterman, The Tonight Show, and Comedy Central. Although many of the comedians featured have made nationally televised appearances, you needn't worry about two of them getting into an onstage fight over contractual issues or comedic supremacy. Magooby's is a down-to-earth comedic facility. In fact, it's so down-to-earth that it's in a root cellar. The parking is free, and guests are encouraged to show up prior to showtime and enjoy a drink—no waiting in a cramped space or standing outside required. If you do want to stand outside, be sure to wear moon shoes.
The thespians and theater crew at Fells Point Corner Theatre have enchanted audiences with nonprofit productions of new and rarely seen plays for 25 years. Upcoming attractions include Edward Albee’s Three Tall Women, the 1994 Pulitzer Prize winner about three differently aged women who reflect on their lives with acerbic wit while scaling skyscrapers; and The Little Dog Laughed, a look at gossip and celebrity in the 21st century. Colorful characters populate Circle Mirror Transformation, a comedy detailing a motley crew’s attempt at bonding during a six-week acting class; Eugene O’Neill’s iconic play The Iceman Cometh explores universal social questions in the back room of a 1912 skid-row saloon. Though seating at the 85-seat Fells Point Corner Theatre is subject to availability, the small size of the theater allows for good sight lines from all seats.