Repeatedly deemed Best Rock Club and once voted Best Drunken Hookup Bar by City Paper readers, Ottobar hosts an ongoing calendar of local and touring bands, DJs, and comedians. With bars on both floors of the two-story venue, guests can sip on mixed drinks and beers while listening to live music or pumping quarters into an award-winning jukebox. The venue also hosts special nights including spelling bees and underground dance parties, wherein guests shake their hips to the sound of shoveling.
Recently featured in the Washington Times, Gertrude's is a salt-stained bastion of coastal cuisine, with a menu chock-full of Chesapeake classics. Chef and owner John Shields, a nationally acclaimed coastal-fare innovator, author, and crab whisperer, named the restaurant for his grandmother, Gertrude Cleary. Grandma Gertrude's traditional Baltimore crab cake recipe lives on at her namesake restaurant with a dinner order of Gertie's crab cakes ($20), which arrives dressed with a choice of eight sauces, including the Creole or three-mustard. It's served with a choice of sides such as apple and fennel coleslaw, hush puppies, or grilled rosemary potatoes. Other maritime entrees, such as the citrus barbecue shrimp ($24) and the Chesapeake rockfish imperial ($30), recognize each other from the Shark Week extras' green room and happily provide diners fishing for Bay fare authenticity with transcendent catches for immediate consumption. Also available are Gertie's seafood Creole ($24) and locally raised beef burgers ($10).
Shriver Hall Concert Series is "Baltimore's finest importer of classical music talent" says The Sun . Every season, we feature a carefully curated lineup of internationally acclaimed soloists and chamber musicians that will please the most discerning listener.
Street artists use walls as canvases, but probably only a few are given the opportunity to use an entire building. The aptly named Graffiti Warehouse, managed by the Rosenfeld Organization, is a massive industrial studio where street artists have access to a safe space and extra-large, 34-foot canvases to do their work. Though each artist is required to bring his or her own paint, completed pieces go up on display and can be sold on-site, with half the proceeds going back to the creator. More than a dozen established artists currently call this space an exhibition home for their paintings and other media.
Open Walls photography tours provide glimpses of select street artists' work and introduce guests to the streets of Baltimore by visiting nearby under-used urban spaces, sites of beautiful murals, and the one overpass where Picasso used to hang out. Street artists aren't the only clients served by the studio, though: Graffiti Warehouse also supplies art therapists and photographers with resources and studios that feature soaring nine-foot windows and private bathrooms.
An estimated 70 exhibitors plan to attend the New York Art, Antique & Jewelry Show, a four-day exposition held at the Park Avenue Armory. The show displays thousands of treasures with origin from the last several thousand years including furniture, contemporary art, Asian antiquities, rare manuscripts and books, and antique and estate jewelry.
Glass Mind Theatre's cast and crew turns the fairy tale of Cinderella on its head with their latest production, Adapting Cinderella, which interweaves elements from the story's countless retellings in films and books to create a unique plotline that questions what constitutes an ideal Prince Charming. With the same enthusiasm for thought-provoking live production that earned the company honors of Best New Theater from City Paper in 2010, Artistic director Andrew Peters guides an ensemble cast as it flutters and fights in sync with Sarah Ford Gorman's choreography and Quinn S.'s original music.