Splayed across the green lawns of historic Snug Harbor, Staten Island Children's Museum's main brick building houses a four-level wonderland of kid-friendly fun. Tykes learn about nature in exhibits such as Bugs & Other Insects, which lets explorers crawl through a human-size anthill, don shiny beetle carapaces, and sign peace treaties with hissing cockroaches. Portia's Playhouse puts visitors in charge of their own theatrical productions, complete with costumes, a working curtain, and an interactive soundboard, and House About It beckons youngsters over to pick up real drills and make boxes under careful supervision. Outside, a quiet garden offers visitors a place to wind down, and the Sea Of Boats gives life to nautical fantasies on a springy, outdoor play area that cushions inadvertent falls.
A fresh take on seasonal celebrations, the first-annual Halloween Spooktacular at the Liberty Science Center features child-oriented scaretivities such as face painting, trick-or-treating, spine-chilling story telling, and Halloween craft making. Bipedal boo-kiddies can explore the creepy-crawly world of the outdoor "Arachnophobia” maze or take a seat by the stage for the chemistry-cauldron shows, short-film screenings, and children's costume contest. Regular admission is normally $11 for children ages 2–12, $13 for adults, and free for children under 2.
Established in 1909, the Newark Museum gradually expanded from its two-room origins to the bountiful 80 galleries of today, with a campus comprising a one-room schoolhouse, sculpture garden, and planetarium, in addition to the main museum. Traipse through one of the many ongoing exhibits such as The Glitter and The Gold: Jewelry from the Newark Museum, which displays a glinting anthology of jewelry from the early 1700s to the present, including the "Butterfly Lady" brooch from Newark’s historic jewelry industry and a collection of colonial Rolexes. The impressively curated Tibetan Collection brings to life the Himalayan territory through exhibits such as the 15 biographical, narrative paintings of Tsongkhapa–The Life of a Tibetan Visionary, and Pots of Silver and Gold, replete with traditional Tibetan motifs of lotus buds and dragons.
Once every three years, the curators at New York's International Center of Photography set out on a mission to encapsulate the world. They scour every corner of the globe to collect the most interesting video and photography. The end result is an exhibit that reveals the Earth at present—its economic conditions, political instabilities, and social mores. The museum's other gallery spaces surround their visitors in works from the 19th century to modern day, offering windows into every era since Santa invented cameras as a new Christmas toy. These ever-changing exhibits showcase everything from evolving fashions to countries in the midst of full-blown revolution.
Hidden behind theses photographs' imagery, lies the minds of brilliant visual artists. Some of these masters speak at the The Photographers Lecture Series, a staple of the museum's research center since 1974. During these events, distinguished photographers discuss their work and how photography fits into the worlds of art, fashion, and journalism. The ICP's Library delves into these worlds even further with thousands of photobooks, periodicals, and digital files.
ICP's faculty also nurtures emerging artists. Together, they lead more than 400 continuing education courses, exploring areas such as digital photography and video. And for the most serious students, they offer a one-year certificate program and an MFA program.
A surfeit of sights competes for attention at this MoMA restaurant, and it’s difficult to say which is the most compelling. The Picassos and Mirós that reside in the sculpture garden are certainly worthy candidates, as are the towering floral arrangements bursting forth from the center of the room.
There are many ways to look at a city. One can get a view of it while walking down its avenues, flying through its airspace, or gazing from afar at its distinctive skyline, an unmistakable fingerprint. The curators of The Skyscraper Museum, however, view New York through its history, exploring the personalities that shaped the skyline along with the stories of the buildings themselves. Their exhibits delve deep into these stories, examining, for instance, the economic circumstances and technological advances which allowed the Woolworth Building—sometimes called the "Cathedral of Commerce"—to sprout from New York's fertile pavement.
Even the very bones of the museum support its subject, with displays set into stacked cases that rise from floor to ceiling. The stainless steel ceiling and floor extend the verticality, making guests feel as if they're striding through the skyline of a city as giants, caught between the perspective of man and skyscraper. The narrow passageways of the museum feature long strips of lighting, the stacked panels along the walls and streaks of light creating the sensation of driving down a bustling boulevard at night.