A Paramount All-Talking Picture starring Maurice Chevalier and Claudette Colbert drew great public fanfare when the Paramount Hudson Valley debuted in 1930. Then known as the Peekskill Paramount Theater, and owned by a subsidiary of mega-studio
The Hershey Theatre, conceived in 1933 by noted philanthropist and chocolatier Milton S. Hershey, stands as an opulent tribute to the performing arts. Taking architectural cues from Saint Mark’s Basilica in Venice, the foyer’s towering arches gleam with golden paint and crystal chandeliers. The blue-and-gold mosaic that leads to the main seating area is the masterwork of two German artists who spent two years on its construction. Once inside the theater, audiences might think they’ve stepped onto the streets of Venice thanks to the atmospheric ceiling, stonework facades, and gondoliers paddling them to their seats. ####Bethel Woods Center for the Arts Music has permeated the 800 manicured acres where the Bethel Woods Center for the Arts has stood since 1969, when farmer Max Yasgur agreed to let love, peace, and harmony grow wild at the very first Woodstock festival. These days, the renowned outdoor venue and cultural center continues to attract the biggest acts in music to its pavilion stage. The open-air design ensures ample ventilation on the natural sloping lawn, and a roof protects up to 15,000 fans from inclement weather and the prying eyes of Cessna pilots.
Hard-rock juggernauts Five Finger Death Punch give audiences four for flinching on their Share The Welt tour, a high-octane evening of nail-driving metal and chugging aural concrete. Since bursting onto the scene in 2007 with its gold-selling debut, The Way of the Fist, Five Finger Death Punch has scaled the charts and the musical food chain, gulping its competition like a possessed Takeru Kobayashi. For the tour in support of its latest effort, American Capitalist, the gang enlists an entire posse of heavy hitters. Massachusetts metal mavens All That Remains, fresh from melting soles on the Vans Warped Tour, bludgeon audiences with an arsenal of hits, and hardcore shredders Hatebreed share unkind words as they haze the speed of sound. Adding power-chord crunch to the show, Fort Wayne’s Rains sprinkles audiences with raw and emotional sonic sleet.
With no costumes, sets, or functioning lightsabers, Canadian comedic force Charlie Ross whisks audiences to a faraway galaxy in his One Man Star Wars Trilogy, a funny and fervent reinvention of cinema’s most hallowed science fiction series. A smash hit off-Broadway and across the globe, Ross’s breakneck performance has earned accolades from critics, the respect of Lucasfilm, and love from famous Ewoks such as Vin Diesel and Conan O’Brien. Racing through George Lucas’s six-hour opus in only one parsec, Ross screen-wipes audiences to Tatooine, Dagobah, Cloud City, and the Death Star without ever changing his pants. The performer inhabits all of the trilogy’s heroes, villains, and droids to draw Jabba-sized laughs from Star Wars fans and the sci-fi averse alike.
Stamford's Palace Theatre's opened its doors in 1927 as a 1,580-seat vaudeville house, designed by acclaimed architect Thomas Lamb. In 1983, the venue began a new life when crews rehabbed the building and live performers once again graced the s
More than a dozen times?that's how often Treehouse Comedy Productions has been voted the "Best Comedy Showcase" by the readers of?Fairfield County Weekly. As the first full-time comedy showcase in Connecticut, Treehouse Comedy Productions has curated stunning selections of world-class standups for more than three decades. The heavy hitters in the Treehouse family tree include Rosie O'Donnell, Jon Stewart, Bill Maher, Chris Rock, Gilbert Gottfried, and Jerry Seinfeld, who once bid farewell to standup at Treehouse gig just before his TV show,?That's So Jerry!, became a hit. With roving locations at area restaurants, casinos, and bars, the arbiters of spit-takes continue to cull the sharpest cut-ups in the country for weekly showcases.