At first blush, Joy Cinema and Pub bears a striking resemblance to classic movie theaters with its intimate lobby, marquee surrounded by neon lights, and 1950s-style cartoon mural behind its concessions stand. However, this cinema differentiates itself from its forebears with a schedule of newly released Hollywood hits, generous pours of frothy microbrews, and occasional 3D features. Evening shows are "minor with parent" unless otherwise specified.
Cinetopia's super-high-definition digital projectors, wide leather seats, fresh market-to-table cuisine, selection of local microbrews, extensive wine list, and art gallery have earned the cinema acclaim from multiple media outlets. The Vancouver Mall 23 location boasts four enormous GXL screens up to 80 feet with 4096p projection?4 times the resolution of Blu-ray?and an exclusive immersive 64.2 channel Dolby ATMOS sound system, five luxury-themed movie parlors, nine living rooms, and five grand auditoriums with steep stadium-style seating and ejection buttons that allow audiences to escape the theater during too-scary shower scenes.
The Mill Plain location also houses five grand auditorium theaters, each equipped with 50-foot, 2048p screens. The venue's three living-room theaters accommodate patrons aged 21 and older with footrests, pillows, and waiters on hand. Along with grand auditoriums and living-room theaters, the Beaverton location houses two grand XL theaters with massive 62-foot and 70-foot screens. Films unreel onto super-high-definition, 30-foot screens in the exclusive parlor-room theaters.
Visitors to each Cinetopia can order restaurant service in select screening rooms. They can also customize their popcorn at a gourmet-butter bar, and enjoy preshow live music performed 20 minutes before weekend evening shows, typically by pianists, violinists, and horror-movie villains trying to rebrand their image. Cinetopia also carries a host of other classic comfort food and beverages, such as pastries, made-from-scratch pizzas, and more than 50 wines.
Cinema 21 may offer daily showings of new Hollywood and independent flicks, but it also tries to get patrons interacting more with movies, rather than simply coming to see a blockbuster and then leaving. It does this by following up screenings with Q&A sessions with major filmmakers, including Wim Wenders and Steven Soderbergh. The theater hosts fun sing-along screenings as well, which invite attendees to belt out the tunes of their favorite movie musicals. Cinema 21 even brings international work to American shores by participating in several film festivals throughout the year.
Built in the Italian Rococo Revival style by Chicago firm Rapp and Rapp in the late 1920s, The Arlene Schnitzer Concert Hall is impossible to miss. Its brilliant “Portland” marquee towers 65 feet in the air. The building’s interior stats are similarly impressive: it takes 2,776 humans or 1,928 gorillas to fill the resplendent concert hall.
In the introductory class, a professional fire-dancing coach will cover basic poi movements performed on the sides of the body, such as weaves, spins, corkscrews, and more. The flameless poi used during the class neatly mimic the weight and feeling of fire, ensuring that when you decide to move on to fire for performance, crime fighting, or just make grilling a steak overly dramatic, you'll be ready.
Nestled beneath the luminous beacon of its old-timey marquee, the Clinton Street Theater cements its status as Portland?s oldest continuously running independent film house with a rotating slate of foreign films, documentaries, and cult classics. Weekly screenings of The Rocky Horror Picture Show and Repo: The Genetic Opera draw fervent cultists dressed as their favorite characters and boom-mic operators, complementing screenings of splattery horror flicks with thought-provoking opera from rising and renowned auteurs. The cylindrical glow from a whirring projector jets across the Clinton?s spacious theater, illumining arrivals from such directors as Sidney Lumet and Gus Van Sant, who is notorious for instructing his actors to break character midfilm to challenge texting film-goers to bare-knuckle brawls.