After devoting years to protecting precious pictures and keepsakes from environmental harm, the Middlesex Framing crew has amassed an inventory of highly protective materials. Acid-free matting keeps photographs and certificates from deteriorating over time, UV-protection glass guards against sunlight’s discoloring rays, and museum glass deters bandits who somehow made it across the living room’s laser alarm grid. Partnering with Larson-Juhl, the crew is able to access more than 1,500 molding samples and matting combinations—ensuring that each piece is both protected and enhanced by its border.
Housed inside Boston's monumental textile mill, the Charles River Museum of Industry & Innovation invites guests on a trek through American history with a collection of artifacts dating as far back as 1812. Throughout the building's hallowed halls, interactive displays cleverly disguise education as amusement, coaxing visitors both young and old to steer a 19th-century fire engine, play a foot-powered piano, and teach an antique telephone switchboard how to send text messages. Enduring exhibits also showcase Waltham's industrious past with displays dedicated solely to textiles, watches and clocks, and transportation, including bicycles and penny-farthings powered by shredded pieces of yellow journalism. Members can take advantage of such perks as complimentary museum admission, invitations to special events, and unlimited use of the museum library.
The winner of Boston.com’s A-List for Best Fine Jewelry 2010, Karenna Maraj Jewelry dresses up drab garments with wearable art and passes along jewelry-making skills through enlightening classes. In the two-hour metalsmithing class, participants imbibe the knowledge of the jewelry gods, learning how to transform shapeless metal into beautiful bangles, pendants, and dental braces. Students shape, cut, solder, hammer, and polish two projects during the class, including a bangle and a pendant hammered from brass, copper wire, and black cord (all included, gold and silver can be purchased for an additional fee). Cutouts, stamps, and designs can be added to each piece, yielding a beautiful accessory ready to take home at the end of the class. With attendance capped at six pupils, students get plenty of one-on-one attention and the chance to fence a jewelry-saw master. Classes are held at the following times:
Named by the Boston Globe as New England's greatest university collection of artworks, the Harvard Art Museums are three distinct museums—the Fogg, Busch-Reisinger, and Arthur M. Sackler museums—that together provide visitors with an astounding array of creative work. Re-View, the permanent exhibition highlighting the best of each museum, cuts a slice out of the collection to show rare treasures alongside well-known works ranging from Islamic to Asian, painting to calligraphy, and ancient to contemporary. Peruse a full queue of exhibitions, including one about the use of illusion in art and how it can confuse seeing-eye dogs.
The MIT Museum, accredited by the American Association of Museums in 1984 and again in 2002, engages the public with scientific research, design, and a peek into the institution's academic discoveries. The museum's permanent collections, assembled from artifacts the university has collected through scholarly interests, include holograms, a nautical archive, and technological achievements, such as the telephone. Temporary exhibitions storm the museum's towers throughout the year, currently showcasing MIT 150, highlighting 150 years' worth of artifacts–such as race cars and the TX-0 computer–and world domination by MIT students and faculty. The museum also hosts a number of programs for the public throughout the year. Guests can check out the calendar for an up-to-date list of upcoming attractions and events.