The Corpus Christi Hammerheads look to finish their season with a victory and avenge their opening-day loss in their final home bout against the Abilene Ruff Riders. Watch head coach Dustin Almond confuse the opposition with precisely drawn plays that feature receivers on criss-crossing routes, running backs charging past blocks, and quarterbacks performing sleight-of-hand card tricks to distract defensive linemen.
Two of Christian music’s most iconic artists, Amy Grant and Michael W. Smith join forces to spread the good news, leading congregations in melodious worship on their 2 Friends Tour. Since 1982, this dynamic duo has engaged millions to flock to their catchy, ecclesiastical pop music, sharing a musical camaraderie as impenetrable as a fortress with abandonment issues. Amy Grant, author of No. 1 hits such as “El Shaddai” and “Baby Baby,” has shared her gift of song for more than 30 years, selling more than 30 million albums, garnering six Grammys, and earning a star on the Hollywood Walk of Fame. Michael W. Smith has earned countless accolades with his tremendous songbook of head-bobbing hymns and choir-rousing hits. Sharing the stage for the first time in two decades, Amy and Michael thrill fans with new psalms and favorites from their sonic scroll, merging their sets with joyful duets and chemistry that crackles like Abbott and Costello after getting struck by lightning.
Ska-punk royalty Sublime with Rome, hip-hop icons Cypress Hill, and reggae-rock party animals Pepper pool their crowd-pleasing talents to devise a surefire prescription for the summertime blues. Carrying on the legacy of legendary singer Bradley Nowell, dead-ringer Rome Ramirez leads Sublime with Rome through energetic numbers from its newest record, Yours Truly, as well as rock-radio mainstays, such as “Santeria” and “What I Got,” which still dominate airwaves with a contagiously laid-back attitude. Multiplatinum hip-hop group Cypress Hill continues to meld worldly genres and salute organic gardening in hits such as “How I Could Just Kill a Man” and “Insane in the Brain.” Heading up the summer fun pack, the Hawaii and California hybrid of Pepper stomps and grinds with goodtime odes to love and pogo sticks, as heard in their song “Give It Up.” With general-admission tickets, fans can bring blankets or rent chairs to snag space in the festival seating area or graze and daze upon the lawn as upbeat tunes accentuate the sunshine.
Since its origins as a converted parking garage, Alamo Drafthouse Cinema has ushered film-lovers of all breeds into its auditoriums, even gaining a following among Hollywood legends; Quentin Tarantino has been known to host five-day movie marathons at Alamo. The theater has earned that reputation by making moviegoing a personal experience, from the menu of handcrafted snacks and locally brewed beer to the completely ad-free presentations before shows. The staff enforces a strict no-talking, no-texting policy by kicking out any offenders, falling just short of yanking them from their seats with a giant's shepherd's crook.
Both first-run blockbusters and classics are projected onto Alamo's silver screens in crisp 35-millimeter or digital format. Meanwhile, surround speakers immerse audiences in the cinematic soundscape, whether they're seated in one of the expansive theaters afforded to blockbuster reels or the more intimate spaces reserved for indie films wound around tiny bobbins. Despite Alamo's vow of silence, fan-centric Quote-Along and Sing-Along nights encourage guests to shout their favorite lines, and actors, directors, and other celebrities often attend special screenings to lead in-depth discussions. These exclusive events have led to acclaim for Alamo from publications such as Entertainment Weekly, which called it “one of America's most fanatically unique moviegoing experiences,” and Wired, which opined that it "might just be the coolest movie theater in the world."
In support of her high-decibel new album, Rihanna kicks off her hotly anticipated LOUD tour with emphatic gusto and a sizzling roster of special guests. Like an art show at a sundae bar, the LOUD tour floods the senses, enchanting audiences with lavishly designed sets, myriad costume changes, move-busting dancers, and Rihanna's songbook of Grammy magnets. Crooner Cee Lo Green augments the songful offerings with his own vocal talents, and Roc Nation rapper and rhythm scientist J. Cole further helps resuscitate ear drums traumatized by the outside world's blaring car horns and shrill howler monkeys.
The finale concert for the symphony's 70th season boasts a rich performance of Beethoven's brief and powerful Overture to Egmont Op. 84, before the esteemed Nadja Salerno-Sonnenberg takes to the stage. Backed by the San Antonio Symphony, the spirited violin virtuoso will tackle Bruch's grandiose Violin Concerto, bringing her legendary passion to the concerto's seductive first movement, her tender bowing touch to the sweet melodies of the second, and her unrestrained energy to the score's fiery conclusion. After a brief intermission, the Symphony will personally pamper audience members' ears with a performance of Elgar's Symphony no. 1, a sweeping, cinematic work of robust orchestration and exquisite beauty.