Owner Steve Olson added Parlor Live to the Parlor complex in 2008 as a way to bring big city-caliber evening entertainment to suburban Bellevue. National comedians take the stage in a wide, shallow room with seating that wraps around three sides of the action as colored shapes produced by a sophisticated lighting system dance across the walls. A globally inspired menu introduces the agonizing dilemma of whether to laugh, fill one’s mouth, or mold little edible hearts to toss toward the performer with shareable dishes that include garlic-gorgonzola waffle fries and coconut prawns. The drink menu, too, aims to surprise with complex cocktails that range from a classic old-fashioned to a sparkling rosemary potion with Aperol.
Arthur Murray has been a leading name in franchise dance since 1912, when the entrepreneur began selling mail-order dance lessons. Expanding his reach, he enlisted teachers to spread his signature dance lessons on first-class steamships and skyrocketed to fame in the '30s after introducing the public to such dances as the Lambeth Walk and The Big Apple. By the 1950s, Arthur and his wife, Kathryn, were hosting their own highly popular TV show on ABC, The Arthur Murray Dance Party, which ran for 12 years. Today, Arthur Murray's team prepares students for rug cutting at special events and weekend nightclub jaunts. Clients who arrive to lessons partnerless will be paired up with other classmates as the instructors assess their current skill level and make recommendations on the most appropriate program. Throughout lessons, instructors teach the foundations of two to four dances from a long list of styles that range from Latin to country-western, helping students to learn basic step patterns, timing, and the ability to lead or follow.
The experienced instructors at LaVida Dance and Yoga Studio believe dancing can have a positive physical and mental effect on people, whether they?re learning the steps to a wedding dance or burning off calories in a high-energy Zumba class. LaVida Dance and Yoga Studio teaches all levels of dancers how to tango, salsa, and ballroom dance, as well as relax and stretch in yoga and have fun with movement in classes designed to be enjoyable and accessible to everyone, including those with two left feet.
Lyric Light Opera's professional productions of classic American musicals send Broadway actors and top-flight local performers singing and dancing over the stages of beautiful venues around Seattle. Meredith Willson's Tony Award–winning musical The Music Man follows dapper con man Harold Hill's attempt to sell band instruments to a gaggle of school children, leave town with the cash, and purchase a lifetime supply of soda pop and pomade. Romance gets in the way, and soon Harold must choose between the charms of a local piano teacher and his hard-swindled money. Broadway actor Greg Stone and Seattle starlet Megan Chenovick lead the production's lively cast, supported by a full orchestra, dazzling costumes, and musical notes scraped straight from the yellowed pages of the score and dripped through pipettes into patrons' ears.
Cornerstone Studio's dedicated and nimble-toed dancers present their version of Tchaikovsky’s holiday classic. Marvel at the story of a whimsical Christmas adventure as illustrated by a fleet of fancy-footing feet and their talented owners. This beloved ballet is ideal for all ages, making it a thoughtful, holiday-themed outing for a large family or the high school’s wildly popular stapler-art club.
Founded by movie-industry veterans Scilla Andreen and Carlo Scandiuzzi, IndieFlix culls a massive collection of independent and festival-selected films from across the globe into a convenient online streaming-video library. Filmmakers can submit their comedic, dramatic, or documentary masterpieces to the site, which fairly distributes movies of all genres and lengths, with artists fully retaining their films' rights and action-figure tie-ins. Audiences delve further into IndieFlix’s arsenal of cinema gems with Film Festival in a Box game—lauded by the New York Times, the Chicago Tribune, and Seattle magazine—which allows cineastes to display their knowledge without having to stroll through the local megaplex with a megaphone.