From 11 a.m. to 5 p.m. on December 22, more than 100 local and indie vendors will crowd Last Chance Craft Fair, selling handmade crafts amid seasonal festivities at the Croatian Cultural Center. Last-minute buyers can browse seemingly endless rows of vendors showcasing jewelry, housewares, children’s items, and clothing.
Vancouver hometown heroes Theory of a Deadman return to their roost in an exertive panorama of stadium-sized riffs and hard-rocking party anthems. Like the letter E at an optometrist’s office, the band has grown accustomed to the top of the charts, with mainstream rock hits such as “Lowlife” and “Bad Girlfriend” and the life-affirming sing-along “Hate My Life.” Stuffing kevlar crunch, post-grunge, and rockabilly into its sonic calzone, Theory of a Deadman dethaws January fans with seasoned classics and newborn cuts from its latest smash The Truth Is…. Locally acclaimed indie rockers Louder Than Love whet aural appetites in their opening performance as they juggle genres without falling off their tandem unicycle.
The Vogue Theatre presents listeners with an evening of poetic lyrics, high-octane guitar playing, and euphonic melodies from three talented acts. Hailing from Vancouver's east side, The Fugitives combine intricate songwriting with folksy musical accompaniment to craft hypnotizing live performances that tickle ears and help uptight pocket watches unwind. C.R. Avery dazzles audiences with deftly flowing spoken-word poetry, percussive beatboxing, and ear-tickling harmonica riffs, and guitar-picking mastermind Wil shreds six-stringed music makers with moody, intense songs of love and loss. In addition to individual acts, a group performance will combine all three acts into an intoxicating musical melange that, like a pig with pterodactyl wings, is greater than the sum of its parts.
Palme’s Performing Society was founded in 1996 with the aim of preserving the culture of ex-Soviet Union countries. Well, preserve might not be the right word. The societies doesn’t try to immobilize history behind glass or in sterile displays, but rather breathes life into it through performances in those countries’ native tongues. They put on works by Russian and Ukrainian playwrights while projecting live English subtitles so that everyone can bond by sharing the experience of live theater or by shunning people who only speak pig latin.
The company typically takes the stage in Vancouver’s Russian Community Center, but every so often performances spill onto the streets. During summer festivals, such as Russian Day held in the heart of the Olympic Village, the society brings together artists, musicians, and chefs.