• For $44, you get two upper-balcony (balcony rows LL–WW) tickets (a $68 value before fees, or up to an $86.30 value online, including all ticketing fees). • For $60, you get two lower-balcony (mezzanine rows AA–KK) tickets (a $97 value before fees, or up to a $116.20 value online, including all ticketing fees).
The theater’s production of Smoke on the Mountain is set during a Saturday night in 1938 in Mount Pleasant, NC. The story involves Reverend Oglethorpe, who has invited the Sanders Family Singers for an evening of uplifting song. More than two-dozen songs and several hilarious stories will provide an entertaining show that will put a collective grin across your family’s face. Amid a cozy, inviting atmosphere, attendees will be able to experience dazzling displays of song and dramatization.
Though competitive ballroom dancer Dana Glandon spends much of her time preparing for and winning national dance championships, she's still found the time to establish several dance studios. Drawing from more than 20 years of dance experience, she joins Tony Prado—a WDC World Pro-Am finalist, stage performer, and tango dancer commended by the USTA—in coaching students of all skill levels at Queen City Ballroom. Through detail-oriented instruction and customized lesson plans, they and their instructors give customers personalized attention, earning accolades as one of Charlotte's best ballroom dance studios from CBS Charlotte.
During classes, instructors teach basic techniques of leading and following before moving on to specific steps. Students may learn Latin dances such as salsa, bolero, and merengue; ballroom dances such as foxtrot, Argentine tango, and Viennese waltz; and social dances such as swing, hustle, and two-step. While well versed in the language of dance, the instructors also speak 10 other languages, including Spanish, Portuguese, Russian, Ukrainian, and Slovakian.
Many dance companies approach ballet from a modern angle. Caroline Calouche prefers a more perpendicular one. When the stage is not enough space for her visions of macabre masquerade balls or surreal dreamscapes, she takes to the air above it, outfitted with a cirque's worth of aerial harnesses and accouterments. Her dancers are just as likely to pirouette down a 20-foot skein of golden silk as across a hardwood floor. Pairs of lovers might hang precariously from the frame of a hollow cube or perform a gravity-defying pas de deux on the double lyra—their suspension above the earth either an expression of freedom or a prison of their own making. Like identifying an elderly smoker's gender over the phone, the airborne element leaves plenty of room for interpretation.
By marrying the storytelling ability of floor-bound choreography with the gravity-defying tricks of circus arts, Caroline Calouche & Co. unleashes the full potential of aerial dance. The company's productions are free to venture to strange new places. For example, in past shows, women have risen from their graves to haunt their murderous husbands. Likewise, the sounds of Moby and Blue Man Group are more likely to be heard than Debussy.
Audience members who want to plqy the ropes and silks for themselves can learn to do so during the dance company's aerial-dance classes, along with a tight curriculum of ballet, contemporary, and stretching and strengthening courses. For all its global influences and aerial showmanship, Caroline Calouche & Co. keeps its feet rooted in the local community with outreach programs for all ages, ethnicities, and social groups.