In addition to helping support the Union, a completely self-supporting, non-profit organization, a community membership to the Wisconsin Union grants card-carriers access to grand opening events, hotel discounts, specialty classes, and more. During summer, the Terrace on the shores of Lake Mendota hosts live music five nights a week, and the Lakeside Cinema screens films on Monday nights. Throughout the year, members can take advantage of renting rooms for events, purchasing food from the Union’s 21 eateries, campus-wide WiFi access, and a connection to the heart, soul, and sweaty date-night palms of the University of Wisconsin student body.
Groundbreaking Canadian chanteuse K.D. Lang has always been ahead of her time. During the late '80s, while country music was busy trying on rock 'n' roll britches, K.D. moseyed in with a voice as pure as a Mountie's heart, giving honky-tonk purity back to the airwaves while curing the cowgirl blues. Her striking stage presence and ability to lasso Patsy Cline’s poltergeist with her herculean larynx led to multiple Grammy awards, and her sound branched out into lush pop territories in hits such as “Constant Craving” and “Miss Chatelaine.” With the support of her first backing band in 23 years, Siss Boom Bang, K.D. yowls and purrs with grace and intensity through a live set of twangy barnburners and heart-tugging torch songs in support of her latest album, Sing it Loud. From comfy and wide lumbar-supported seats, fans savor the majesty and opulence of Overture Hall, where the exemplary acoustics allow K.D.’s unmistakable voice to reverberate like whale calls through the Grand Canyon.
Whose Line Is It Anyway? stars Colin Mochrie and Brad Sherwood tickle ribs in an evening of improvised comedy. Starting with suggestions form the audience, Mochrie and Sherwood fashion witty sketches that free guffaws from bellies and remind sad clowns what they've given up for their craft. Interactivity spices up the evening, with the comedic pair calling audience members to the stage to assist in chuckle-making scenes. The Hemmens Cultural Center ensconces guests in main-floor seats guaranteed to be within 100 feet of the stage, affording straight sightlines to onstage action and comfortable distance from the occasional gargoyle infestations of the balcony.
Studio 3 Productions documents and enhances weddings with an arsenal of services that includes photography, videography, DJing, and lighting. A team of photographers and videographers carefully documents each wedding-day tradition, from the exchange of rings to the firing of the flower girl out of a cannon, producing keepsakes that range from simple scrapbooks to high-tech films replete with montages and other special effects. Meanwhile, the company’s LED lighting can add pizzazz to receptions, with curious customers able to view a small-scale simulation in advance at the studio.
Alternatively, portrait sessions at Studio 3’s studio or on location capture authentic flashes of subjects’ personalities as they pose solo, with loved ones, or with pets. After shoots, the studio’s framing services accent prints, equipping subjects with a high-quality wall decoration to replace their collection of unpaid parking tickets.
Since 1960, the nonprofit Sunset Playhouse has grown and flourished alongside the community who helped build it, paying them dividends in lively musicals and family-friendly classics. In Craig Lucas’s Prelude to a Kiss, Rita and Peter’s seemingly perfect wedding takes a turn as unexpected as the end of Titanic, when a mysterious old man interrupts the celebration to request a kiss from the bride. The gesture causes their souls to trade places, leaving Peter to unknowingly take a total stranger on a honeymoon. As the groom realizes his error, he seeks out his beloved, who is now trapped in an aged body, forcing the couple to navigate through unexpected challenges involving commitment, physical appearance, and arguments over how much to tip at Denny's.
Lizz Wright is a gospel-trained contralto, born in Georgia and now based in New York. As Stephen Holden of the New York Times articulates, "Her voice, luminous and smoky and perfectly pitched, is one of the most wondrous rhythm-and-blues instruments of our time." Lizz wrote the majority of her latest album, Orchard and, like her other releases, it's as smooth and mysterious as butter melting over butter. Equally as impressive are her interpretations of classics including Patsy Cline's "Strange," Ike and Tina Turner's "I Idolize You," and Led Zeppelin's Korean Conflict protest ballad, "Thank You." Mitchell Park, which allows Lizz Wright's sultry vocalizations to float to lawn-lounging ears unimpeded, also features sustenance options from Haute Taco, North Star American Bistro, Loaf & Jug, and Bella Caffe.