The Fairmont San Francisco not only swaddles overnight guests in sumptuous comforts and grandly decorated suites, but also serves as the site for performances and conventions. Amid gilded, ornate adornments, linebacker-sized bouquets and glossy marble columns lead eyes to boxy relief patterns bedecking the ceilings and gold curlicues encrusting the archways. Patterned floors evoke an exotic feel while stretching between damask walls striped with fringed curtains. For the past 20 years, the hotel has made environmental friendliness one of its priorities. In June 2010, with the help of Marshall’s Farm, roughly 50,000 residents moved into beehives adjacent to the hotel's thousand-square-foot herb garden—an effort to restore and support the waning bee population. Those dining at the Fairmont, therefore, get to indulge in the taste of house-sourced herbs and honey brought to their mouths by humanely raised spoons.
Saban Theatre has been entertaining audiences since 1930, when it was one of old Hollywood's premiere film palaces. The art deco theatre, then named the Fox Wilshire, attracted its fair share of cinema legends. In 1953, the stars of Hollywood turned out for the premiere of Marilyn Monroe and Lauren Bacall's film, ¬How to Marry a Millionaire. Walt Disney arrived at the theater later that year to exhibit the fist widescreen Donald Duck cartoon, which required subtitles for non-avian audience members.
In 1981, the theater's owners chose to shift from film to live performance. They renovated the building, converted the auditorium into a stage venue, and changed the name to Saban Theatre. Since then, the venue has hosted performances from the likes of Richard Pryor, Billy Crystal, and Sting. Even with its modern headliners, the theater still echoes Tinsel Town's Golden Age with its ornate plasterwork and grand sculptures.
Originally built in the late 1800s as a vaudeville theater and then seeing time as a German film theater in the 1950s, today Bogart’s stands as a portal to a world of live music. Six bars stand at the ready to keep rocking bodies hydrated, and three concert-viewing levels ensure pristine sightlines so that lead singers can have midconcert staring contests with anyone they choose.
Comedy is often used as one way of speaking truth to power; the work of Public Citizen is another. The nonprofit lobbies Washington on behalf of everyday citizens on economic, healthcare, and environmental issues. Stand Up for Main Street adds a panoply of familiar and funny voices to the chorus behind their good works in a comedy benefit show. Ray Romano headlines with the charisma and humor that made Everybody Loves Raymond as popular as I Love Lucy, Love Boat, and all but one of history's top puppy-cam feeds. In an ingratiatingly mopey, Queens-accented voice, Romano goes beyond sitcom surfaces in his live act to draw up takes on family life and longtime marriage that remain self-deprecating and slightly offbeat even after decades of fame.
The Hershey Theatre, conceived in 1933 by noted philanthropist and chocolatier Milton S. Hershey, stands as an opulent tribute to the performing arts. Taking architectural cues from Saint Mark’s Basilica in Venice, the foyer’s towering arches gleam with golden paint and crystal chandeliers. The blue-and-gold mosaic that leads to the main seating area is the masterwork of two German artists who spent two years on its construction. Once inside the theater, audiences might think they’ve stepped onto the streets of Venice thanks to the atmospheric ceiling, stonework facades, and gondoliers paddling them to their seats. ####Bethel Woods Center for the Arts Music has permeated the 800 manicured acres where the Bethel Woods Center for the Arts has stood since 1969, when farmer Max Yasgur agreed to let love, peace, and harmony grow wild at the very first Woodstock festival. These days, the renowned outdoor venue and cultural center continues to attract the biggest acts in music to its pavilion stage. The open-air design ensures ample ventilation on the natural sloping lawn, and a roof protects up to 15,000 fans from inclement weather and the prying eyes of Cessna pilots.
Indie electropop duo Uh Huh Her lights up the stage with hypnotic, pulsating beats on a night that celebrates the release of its new album, Nocturnes, and draws attention to October’s National Breast Cancer Prevention Month. The pair’s dance-friendly vibe and swoon-friendly looks belie the sophistication of the melodies featured on their debut LP, a collaboration that draws from their former jobs as piano movers and diverse musical backgrounds. While ivory-tickler Camila Grey channels her classical training into soft and seductive synth phrases, Leisha Hailey keeps the rhythm with aggressive bass licks honed during her time in ‘90s indie duo The Murmurs. Supporting songsmith Jarrod Gorbel kicks off the night with a set of earnest tunes that will have punks pogo-ing in slow, poetic cadences while he recites lyrics of quiet lament tattooed across his arms.