The most recent addition to Paragon Theaters’ repertoire of upscale movie venues, Paragon Deerfield 8 Movie Theater cushions customers in the plush luxury of its newly renovated theaters. Stadium-style seats pad posteriors as their owners gaze upon the silver screens from clear vantage points. An expanded concessions menu sates the palates of moviegoers by presenting a range of hearty fare and, for those of age, beer and wine.
Sony HD digital projectors bathe the towering screens in crystal clearness, granting films a visual crispness so pronounced it has enabled sponsors to advertise their logos in actors' pores. The company plans additional upgrades and outdoor seating to bring all the amenities found in its locations in Miami, Florida, and Burnsville and Rochester, Minnesota, to the new Deerfield Beach location.
It's 1980-something. Glen, a young boy, dons a pair of glasses with one blue lens and one red, excited by this new technology that's supposed to make things on the screen pop out at you. During the next two hours, Glen ducks swooping avians during the revival of Alfred Hitchcock's ¬The Birds in 3-D, terrified, yet thrilled. This is one of Glen Gray's earliest memories about the theater his father built more than 30 years ago. Today, Glen lives out those moments each day as the proprietor of Movies of Delray, where the projectors roll a medley of Hollywood features, and foreign, art-house, and independent films.
Gold walls and burgundy curtains lend to the lobby’s art-deco air, and a large chandelier illuminates more than 60 pencil drawings of movie icons of yore, such as John Wayne, Elvis, and Marilyn Monroe. This old-fashioned lobby disguises the updates within: brand-new bathrooms, granite countertops at the concession stand, and in the theaters themselves, digital surround sound and updated seating. Rows of black leather seats cushion moviegoers with high backs and wide benches so cozy that Glen claims guests have fallen asleep in them, only waking up at the end of the picture or when Bruce Willis turns out to have been a metaphor all along.
In celebration of film, professor Shelly Isaacs graces the theater with screenings of obscure Oscar-winning or Oscar-nominated foreign films. After each screening, he discusses the film with audiences, dissecting and analyzing the cinematography, characters, and plot.
Recognized by Guinness World Records as the world's longest film festival, the Fort Lauderdale International Film Festival celebrates its 25th anniversary this year with a robust schedule of special events and a plethora of pictures spanning numerous genres. Starting with pre-festival screenings, which begin on September 27, a lineup of more than 150 movies from more than 80 countries gives pass possessors the visual stimulation of an all-you-can-watch film binge without the distraction of Hollywood's enormous signage and carnivorous palm trees. The on-screen fare ranges from documentaries to foreign films and kids' flicks to 30-minute-and-under shorts; some of the works are also designated as "competition films" and considered for Oscar-style awards. In addition to viewing privileges, pass-holders are also entitled to admission at an agenda-busting array of special events—such as the Opening Night Film and Gala and the Chairman's Cruise and Brunch—many of which include free drinks, snacks, and the chance to rub elbows, knock foreheads, and intertwine phalanges with celebrities and filmsmiths.
The Museum of Discovery and Science ensures that adults as well as children have opportunities to explore diverse fields in the natural and physical sciences. Museum visitors who prefer to experience action on the big screen can drop into the AutoNation IMAX 3D Theater, which boasts a 15,000 watt, 42-speaker digital surround sound system. Opened in 1992, the 300-seat theater dazzles audiences via a five-story screen that features both 2-D and 3-D films. Crowds view the latter using lightweight XR 3-D glasses for highly evolved thrills.
With only 130 seats, Mosaic Theatre can justly claim that there’s not a bad seat in the house. Designed to be a maximally flexible space, the venue changes its seating for every performance to enhance the theatergoing experience for visitors or to clear way for the mid-play goat chorus line.