Lyric Light Opera's professional productions of classic American musicals send Broadway actors and top-flight local performers singing and dancing over the stages of beautiful venues around Seattle. Meredith Willson's Tony Award–winning musical The Music Man follows dapper con man Harold Hill's attempt to sell band instruments to a gaggle of school children, leave town with the cash, and purchase a lifetime supply of soda pop and pomade. Romance gets in the way, and soon Harold must choose between the charms of a local piano teacher and his hard-swindled money. Broadway actor Greg Stone and Seattle starlet Megan Chenovick lead the production's lively cast, supported by a full orchestra, dazzling costumes, and musical notes scraped straight from the yellowed pages of the score and dripped through pipettes into patrons' ears.
Jay Offutt, owner of the Dance Experience, has been providing the Seattle Dance Community with social dance classes and individual instruction for over 30 years.
Our staff are energetic and excited about dancing. Our dance courses build upon the previous week’s dance curriculum and then gradually add new material.
As the go-to source for Americana and roots music, No Depression magazine curates its own festival to showcase both well-established and up-and-coming folk acts. This year's festival is headlined by the dulcet Dublin tones of The Swell Season, consisting of Irish musician Glen Hansard and Czech singer and pianist Markéta Irglová, who starred together in the Academy Award–winning 2007 indie-musical Once. Other acts include acclaimed singer-songwriter Lucinda Williams, Seattle indie-folk rockers The Cave Singers, and Alejandro Escovedo—winner of No Depression ’s "artist of the decade" for the '90s. Tickets are general admission, so arrive when the gates open at noon to secure a close-up spot on Marymoor Park's two enormous grass lawns, ensuring that the artists can pointedly ignore your request that they play the entire score of The Muppet Christmas Carol.
Having tamed Redman's farmers'-market frontier with their patented brand of slapstickery, the script spurners of Split 2nd Improv now tend to hatching a twice-weekly staging of off-the-cuff comedy. Like snowflakes or facial tattoos, no two of the audience-directed shows are the same. Friday nights are rated PG-13, suitable for tickling family funny bones, and Saturdays paint the stage blue in adult humor. Track the ever-shifting feature players on Facebook, and bring your blank screenplay for them to autograph.