Sublime sounds for 135-years! The Boston Cecilia is the 2nd-oldest vocal music group in Boston, but we bring a stylish & fresh approach to our historically-informed performances. We are nationally renowned for our performances of Handel's dramatic works, and we love composers from Bach to Britten...and a few before & after!
Anderson Comedy has its fingers in many comedic pies around Boston, hosting numerous events for local up-and-comers to make their names. The company?s The Gas comedy show takes over Great Scott?s stage every Friday night to exercise audiences? stomach muscles with standup sets by local comedians and special guests. The comic confederation also hosts The Horse's Mouth show every first Wednesday as well as free open-mic nights on Tuesday, allowing unknowns to test their material in front of a captive audience and to control the venue?s laugh track.
Boston Casting offers courses for aspiring child, teen, and adult actors at its Media Performance Institute. Your Groupon can be used toward classes such as Beginner Acting/Improv for Adults, Acting for Teens, Musical Theater, or any of the other classes listed to the right. Acting for the Camera will teach you how to act naturally in front of the most terrifying piece of machinery outside of a confrontational killer robot. In Acting for Film, you'll learn how to project your voice in its proper 16:9 aspect ratio. And after a session of Acting for Commercials, your teeth will begin to twinkle automatically every time you hold something up and smile. For a truly in-depth exploration of the acting process, try the Acting for the Camera course, which runs until one of its participants says "And… scene." Classes are taught by some of New England's most experienced teachers and performers.
Members of the lauded burlesque troupe The Boston Babydolls share their accumulated skills during fun courses and workshops that welcome anyone regardless of experience level. During four-week intro courses, they'll cover burlesque fundamentals such as shimmies, bumps, and tassel twirling, as well as go over burlesque history and costuming. Courses cover topics such as how to build an alluring burlesque bra to spice up established dance routines.
The Boston Babydolls have won the Boston Phoenix's Boston's Best Readers Poll in 2012, 2011, and 2010 for their mélange of sensual dance routines, tinged with devilish comedy and retro style from the 1920s and 1950s. Singing, magic, and circus arts spice up their performances to keep guests entranced without the use of ancient incantations.
The Boston University Terriers men's basketball team defends its home court for another sneaker-squeaking season of exorbitant point totals. Fresh off their performance in the America East title game and the College Basketball Invitational semifinals, the Terriers are a preseason conference favorite. Agganis Arena's steep seating offers vertigo-inducing views of every fast break, daring three-point fadeaway, rim-rattling rebound, and spontaneous combustion. Witness an in-conference clash on the Binghamton, Maine and UMBC dates—or watch the Terriers get into a finger-snapping rumble with La Salle or St. Joseph's. Agganis Arena's six concession stands will keep your throat's cheering muscles greased with hot nacho cheese down to the last buzzer-beating bucket.
Music director Lewis Buckley headed the U.S. Coast Guard band and conducted several prominent New England symphonies before landing at the Metropolitan Wind Symphony, which has been tickling eardrums with woodwind, brass, and percussion concerts since 1971. "An ACB Preview" celebrates the 75-member symphony's invitation to play at the 2012 annual conference of the Association of Concert Bands with a sampling of the program they'll perform for a national audience. The concert kicks off with Percy Grainger's Lincolnshire Posy, which recasts six English folk songs as lush, wind-powered melodies free of interrupting Robin Hoods. Principal oboist Elana Lorance takes charge in James Kessler's Hudson River Rhapsody and a new transcription of Gershwin's An American in Paris ends the evening with Gallic-via-Broadway aplomb. Starting at 1:30 p.m., a preconcert talk by maestro Buckley unveils some of the music's hidden features and lets uncertain ears nuzzle the score.