Girls Night: The Musical plots five friends center stage as they ponder their past, celebrate their present, and silently think about robot designs for the future during one comedic night of karaoke. Actresses belt out renditions of such female classics as “Lady Marmalade,” “Man I Feel Like A Woman,” and “I Will Survive” amid vibrant set pieces, and 14th Street Theatre's intimate table seating ensures all 288 guests can see every smirk, eye roll, and subtle back flip with ease. Groupon holders receive the best non-VIP seats possible (any table other than tables A–G) upon the redemption of their vouchers at the theater's will-call station.
Nestled within the acoustic splendor of the Blossom Music Center's pyramid-shaped pavilion, you’ll be close enough to taste the high notes of the piccolos, the vibrato of crashing cymbals, and the sass of brassy fanfares as the Blossom Festival Band fills the air with patriotic music. Led by conductor Loras John Schissel, the program will include the toe-tapping marches of John Philip Sousa, a salute to the U.S. Armed Forces, and Tchaikovsky’s 1812 Overture. As long as the weather allows, fireworks will follow the concert—an exploding cherry bomb on top of the sweet sundae evening.
In support of her high-decibel new album, Rihanna kicks off her hotly anticipated LOUD tour with emphatic gusto and a sizzling roster of special guests. Like an art show at a sundae bar, the LOUD tour floods the senses, enchanting audiences with lavishly designed sets, myriad costume changes, move-busting dancers, and Rihanna's songbook of Grammy magnets. Crooner Cee Lo Green augments the songful offerings with his own vocal talents, and Roc Nation rapper and rhythm scientist J. Cole further helps resuscitate ear drums traumatized by the outside world's blaring car horns and shrill howler monkeys.
For Adam Weslek, partying was the key to getting in shape. During his one-hour Zumba classes, he transforms the same Latin-inspired dance steps that helped him shed 120 pounds into a celebration of music, movement, and friendship. International music from Grammy-winning producers powers each class, helping students melt calories with arm waves, hip swivels, and air-marimba solos.
When a performance studio stages The Sound of Music as its first production only months after opening, you know it means business. For the staff of Olmsted Performing Arts, their dedication to developing students' acting skills and hunger for creative expression continues to generate inspiring performances. These range from classic Rodgers and Hammerstein showtunes to song-and-dance numbers from Footloose, a rousing tale about the adventures of a barefoot podiatrist.
With more than 60 years of combined rug-cutting experience, La Danse Cleveland's co-owners, Esther Rehm-Cohen and Tim Brown, have helped untold numbers of students twirl, hop, and belly slide across the dance floor. Certified as a ballroom instructor in 1981, Esther has won national awards for her teaching skills and has had the distinct honor of training couples who have gone on to rank in competitions. She garnered the position of head coach of the Case Western Reserve University ballroom team before fate's two-step led her to a partnership with Tim to run La Danse Cleveland's ample 6,000-square-foot studio. Boasting a background that includes competition in professional arenas as well as work as a dancing judge and a choreographer, co-owner Tim delights in crafting group classes and private lessons that excite and challenge students.
Included on the studio's roster of lessons are styles from Viennese waltz to nightclub two-step, along with sessions tailored specifically to children and to adult fitness goals. In classes and dance parties open to the public, students and social dancers alike rendezvous with Esther, Tim, and their impressive stable of instructors, whose resumés include stints with such world-class companies as the Boston Ballet and Gene Kelly's gutter-cleaning company.