Founded in 2011, the Chicago-based American Chamber Opera features an ensemble committed to singing full-length oratorios in English. Its productions resemble concerts more than traditional opera performances: the music takes center stage as the singers belt and emote in settings that evoke the world of the story with just a few well-placed details.
Before they became instructors, the faculty members at Jo’s Footwork Studio honed their skills in a range of diverse companies, from Illinois’s postmodern Matrix Dance Improv to Mexico’s timeless Compañia Nacional De Danza. Now, these 11 toe-tappers train people of all ages and levels in the art of dance. Year-round instruction perfects form and expressivity in styles including ballet and hip hop. Pomdance lessons combine lyrical steps with pompoms as props, and percussive tap classes teach students to spell out their names in Morse code.
Chicago Elevated, run by effusive improv veteran Margaret Hicks, leads curious charges on eclectic group, private, and custom tours of the city. Jaunts lead natives and tourists alike through the city’s oft-overlooked nooks and crannies as Hicks’s jovial voice narrates every step, shedding light on secret areas and easily overlooked historic sites. Her pedway tour sojourns into Chicago’s tiled subterranean antecity, where retailers, restaurants, and mole people mingle. Tours explore sites of famous disasters, visit the ghostly red-light district that once stretched below what is now Printer’s Row, and gaze at downtown’s ornate architecture from the riverwalk.
Stationed in Wrigleyville after college, Hicks accrued the healthy sense of humor and comedic timing that pepper each tour at Second City, iO, and other theaters. Though she attempted a move to New York City, Hicks soon discovered she couldn’t stay away from Chicago’s majestic skyline or the skyscrapers’ subtly receding hairlines. A stint in the Chicago Architecture Foundation’s docent program, as well as acting as a tour guide for six years, arm her with insider’s knowledge that soon transfers to listeners’ brains.
Hailed as America's Company of Firsts, the world-renowned Joffrey Ballet has been blazing an artistic trail through media stereotypes since 1956 to redefine the global view of ballet. Through its maiden voyages as the first dance company to perform at the White House and on television, appear on the cover of Time, and commission a rock 'n' roll ballet, the Joffrey's artistically dynamic works have inspired a broad audience and a major motion picture. Its troupe of classically trained, world-class dancers oozes grace as they execute a diverse repertoire of classical masterpieces and cutting-edge performances. The company's annual Nutcracker performances have garnered global acclaim, and it attracts a wide audience in Chicago and around the world during national and international tours.
The Joffrey Ballet also bolsters the Windy City's arts education and dance training through the Joffrey Academy of Dance and community-engagement programs. The Chicago Philharmonic serves as the Joffrey’s official orchestra, bringing its diverse and innovative musical talent to the company's performances.
Originally founded in 1957, Old Town School of Folk Music teaches and facilitates performances of arts rooted in the traditions of diverse American and global communities. More than 700 accredited music, dance, theater, and visual-arts courses expand the cultural horizons of students of all ages and abilities, and more than 300 concerts and events reach more than 200,000 audience members every year.
Founder Frank Hamilton hoped that through his nonprofit academy "teacher and student would be partners in learning." Today, the school continues that tradition, fostering supportive learning environments that draw from an accessible education model. The school also presents performances by internationally known touring artists and Chicago's local artists?as well as its own staff and students?nearly every weekend, with free world-music concerts on Wednesday nights. Old Town School operates three facilities in Lincoln Park and Lincoln Square, including one 425-seat and two 150-seat concert halls, 64 classrooms, two music stores, a caf?, and a resource center.
Chicago Sinfonietta was already markedly different from its counterparts when it played its first notes in 1987. Its founder and conductor Paul Freeman wanted to create a symphony that actually reflected the community in which it existed. The ensemble he formed brought together musicians from diverse racial and cultural backgrounds, who interpreted both classical pieces and forgotten compositions from composers of color. His concept proved successful—the symphony toured Europe, played the Kennedy Center twice, and produced 14 albums, all while tunefully demonstrating the universality of music.
Today, Chicago Sinfonietta continues to perform unique programs, and supports music education and professional development opportunities for members of underrepresented communities. Freeman retired from his post at the end of the 2011 season, passing the reins new music director Mei-Ann Chen, but his legacy lives on in the music of performers he helped get started, including classical-music legend Yo-Yo Ma.