Pursue your long-delayed dreams of performing slow-rock ballads before the hair-band-hungry masses, or pass the dream of rock stardom to your nieces, cousins, and step-uncles with today's Groupon to The Real School of Music. Get four 30-minute private lessons with the instrument of your choice (voice, guitar, bass, keyboards, piano, sax, drums, pork-rib-xylophone, etc.), plus full membership access to the Real School facilities and events during the four consecutive weeks of lessons. Click here to discuss Groupon the Cat.
Inside Guard Up! Family Swordsmanship’s training facility, students of all ages work in groups with instructors to learn the fine techniques involved in Japanese swordsmanship and foil fencing. The Guard Up! Family Swordsmanship instructors also lead classes in stage combat, teaching techniques used by stage and film actors during fight sequences. Once students are comfortable controlling foam practice swords with their minds, they can join the Guard Up! Family Swordsmanship crew on interactive play adventures, such as the Wizards & Warriors summer camp. The live-action role-play events integrate medieval themes with lessons in historical weapons and self-confidence.
Music director Lewis Buckley headed the U.S. Coast Guard band and conducted several prominent New England symphonies before landing at the Metropolitan Wind Symphony, which has been tickling eardrums with woodwind, brass, and percussion concerts since 1971. "An ACB Preview" celebrates the 75-member symphony's invitation to play at the 2012 annual conference of the Association of Concert Bands with a sampling of the program they'll perform for a national audience. The concert kicks off with Percy Grainger's Lincolnshire Posy, which recasts six English folk songs as lush, wind-powered melodies free of interrupting Robin Hoods. Principal oboist Elana Lorance takes charge in James Kessler's Hudson River Rhapsody and a new transcription of Gershwin's An American in Paris ends the evening with Gallic-via-Broadway aplomb. Starting at 1:30 p.m., a preconcert talk by maestro Buckley unveils some of the music's hidden features and lets uncertain ears nuzzle the score.
Trapeze School New York’s expansion west meant Angelenos no longer had to cross the country to join the circus. At their outdoor studio on the Santa Monica Pier, highly trained instructors teach beginner, intermediate, and advanced maneuvers during classes on the flying trapeze, aerial silks, lyra, trampoline, and Spanish web. All of Trapeze School New York’s countrywide facilities in New York, Boston, Washington, DC, Chicago, and LA hold themselves to high safety standards that account for everything from equipment to instructors and safety belts. In an effort to bring their flying-trapeze instruction to surrounding communities regardless of funding, the school also gives lessons through their nonprofit branch of operations.
The New England String Orchestra, which has garnered accolades from The Boston Globe and The Boston Musical Intelligencer, produces stirring renditions of both classical and contemporary stringed masterpieces. Listen in as the orchestra performs its vibrant interpretations of Ludwig van Beethoven’s String Quartet in C Minor, op. 18, no. 4; Johann Sebastian Bach’s Concerto in D Major, BWV 1054; and other pieces, all without the aid of Auto-Tune or magic flutes. The orchestra’s professional string-vibrators will work within the acoustically impeccable confines of First Parish Congregational Church as well as historic Jordan Hall, which was built in 1903 and designated a National Historic Landmark because of its role in William Howard Taft’s “Viola Folly” scandal. Ticket holders who show up 45 minutes in advance of either performance can also serenade their brains with a spoken-word symphony of knowledge from Italian-educated musical director Federico Cortese, who leads an interactive discussion prior to each NESO concert.
Til Death Do Us Part, the third installment of the interactive comedy series Late Night Catechism, brings back the charismatic and hysterical Catholic nun known only as "Sister" to school audiences—whom she refers to as her students—in the dos and don'ts of holy matrimony and the Sacrament of Last Rites. In this participatory theater piece, Sister switches between delivering cynical, tongue-in-cheek lectures on everything from current events to Martian baptism and interrogating couples in the audience about the health of their relationships. Gracing the Regent Theatre's formerly vaudevillian stage, Boston native Denise Fennell calls upon her own memories of a strict Catholic upbringing to lovingly embody the role of Sister, which she snagged after being handpicked by Maripat Donovan, one of the show's creators.