From 11 a.m. to 5 p.m. on December 22, more than 100 local and indie vendors will crowd Last Chance Craft Fair, selling handmade crafts amid seasonal festivities at the Croatian Cultural Center. Last-minute buyers can browse seemingly endless rows of vendors showcasing jewelry, housewares, children’s items, and clothing.
Vancouver hometown heroes Theory of a Deadman return to their roost in an exertive panorama of stadium-sized riffs and hard-rocking party anthems. Like the letter E at an optometrist’s office, the band has grown accustomed to the top of the charts, with mainstream rock hits such as “Lowlife” and “Bad Girlfriend” and the life-affirming sing-along “Hate My Life.” Stuffing kevlar crunch, post-grunge, and rockabilly into its sonic calzone, Theory of a Deadman dethaws January fans with seasoned classics and newborn cuts from its latest smash The Truth Is…. Locally acclaimed indie rockers Louder Than Love whet aural appetites in their opening performance as they juggle genres without falling off their tandem unicycle.
The Vogue Theatre presents listeners with an evening of poetic lyrics, high-octane guitar playing, and euphonic melodies from three talented acts. Hailing from Vancouver's east side, The Fugitives combine intricate songwriting with folksy musical accompaniment to craft hypnotizing live performances that tickle ears and help uptight pocket watches unwind. C.R. Avery dazzles audiences with deftly flowing spoken-word poetry, percussive beatboxing, and ear-tickling harmonica riffs, and guitar-picking mastermind Wil shreds six-stringed music makers with moody, intense songs of love and loss. In addition to individual acts, a group performance will combine all three acts into an intoxicating musical melange that, like a pig with pterodactyl wings, is greater than the sum of its parts.
Palme’s Performing Society was founded in 1996 with the aim of preserving the culture of ex-Soviet Union countries. Well, preserve might not be the right word. The societies doesn’t try to immobilize history behind glass or in sterile displays, but rather breathes life into it through performances in those countries’ native tongues. They put on works by Russian and Ukrainian playwrights while projecting live English subtitles so that everyone can bond by sharing the experience of live theater or by shunning people who only speak pig latin.
The company typically takes the stage in Vancouver’s Russian Community Center, but every so often performances spill onto the streets. During summer festivals, such as Russian Day held in the heart of the Olympic Village, the society brings together artists, musicians, and chefs.
Rustic wood cabins interconnected by wooden walkways stand amid a network of fountains, mountain streams, and small waterfalls. Dense forest and blooms of emerald ferns spread out in all directions. The train whistle and drum beats echo through the trees. At Klahowya Village in Stanley Park, natural scenery opens up to authentic representations of British Columbia's First Nations and Métis cultures through its attractions, performances, and artisan marketplace. As guests arrive, knowledgeable First Nations guides in native dress usher guests into the park, where they can start by taking in the sights or boarding the miniature covered Spirit Catcher train for storytelling journeys past forest tableaus.
Young dancers and actors in traditional dress stage cultural performances every Friday through Sunday throughout the summer, and coffee by Spirit Bear Coffee Company keeps visitors warm year-round. In the indoor marketplace, First Nations and Métis artisans proffer pieces of handmade visual art, jewellery, apparel, and other crafts. The nonprofit Aboriginal Tourism Association of British Columbia operates the park as part of its aim to create a sustainable and educational showcase of Aboriginal culture for visitors and local residents.