In town for one performance only, The Fab Four—The Ultimate Beatles Tribute sends audiences on a time-bending trip to the 1960s soundtracked by the lads from Liverpool’s greatest hits and die-hard fan favorites. Emceed by an actor channeling Ed Sullivan, the multimedia production boasts a talented cast showing off their uncanny impersonations of John, Paul, George, and MacGyver. Live note-for-note re-creations of the group’s classic hits include renditions of “Can’t Buy Me Love,” “Yesterday,” “A Day in the Life,” and “Hey Jude.” With three costume changes, the show covers the Beatles' developing style, from the early days through Sgt. Pepper's Lonely Hearts Club Band to their brief stint as country band Uncle Ringo and the Hungry Blues. The touring production plays the palatial St. George Theatre, where the baroque furnishings offer plenty of murals, tiled fountains, and sculpted figures to keep eyes entertained before the show.
Chanteuse and actress Miranda Cosgrove pied-pipers her adoring droves of devoted fans with her electrifying and family-friendly brand of pop. The breakout star of Nickelodeon's iCarly, Cosgrove has been a seasoned showbiz pro since before her baby teeth could crawl and has compiled a songbook featuring singles such as "Dancing Crazy" and the recently released "High Maintenance." For her July 23 concert, Cosgrove shares billspace with crooner, dancer, and Australian import Cody Simpson, as well as effervescent troubadour Greyson Chance, creating a youthful stew of dulcet melodies sure to soothe the most savage beast or most irascible mail carrier.
Winner of the JerseyArts.com 2009 People's Choice Award for favorite Professional Theater, Paper Mill Playhouse has been opening the curtain on top-quality musical theater and plays since its debut in 1938. The 25th Annual Putnam County Spelling Bee, a Tony Award-winning musical comedy, follows the travails of a group of young students participating in their countywide spell off. With hilarious tunes and frequent fourth wall demolition, the musical expertly tickles audience funny femurs while filling their ears with the harmonious euphony of the Tony-nominated score. Groupon buyers will leave the theater with a Paper Mill Playhouse cup (a $5 value), allowing patrons of the arts to signal their theater affiliation to rival gangs of symphony and museum cup holders.
An almost sixteen million dollar renovation in late 2008 restored the Beacon Theater, an Upper West Side vintage movie palace, to its former glory. Built in 1928 to feature both films and vaudeville acts managed by Samuel L. Rothafel (the impresario behind Radio City Music Hall) the Beacon Theater drips with neoclassical, rococo and Orientalist design elements. The freshly remodeled house now seats nearly 3,000 patrons across three different levels, each with great views of the action before them. What’s more, the acoustics at the Beacon Theater are excellent, making the sonic space a draw for traveling musicians. Some of the stage’s most famous performers have included Paul Simon, the Grateful Dead, the Pet Shop Boys and the Rolling Stones, though new acts arrive weekly, looking to fill the room with adoring fans.
At the intersection of St. Marks Place and Second Avenue in the East Village, the 299-seat Orpheum Theatre has been staging performances and projecting films behind its red-brick, neo-classical façade for more than a century. What the interior lacks in old world grandness, it more than makes up in intimacy, thanks to its two narrow levels, which makes every seat in the house a good one. Achieving greater notoriety in the 1980s for premiering the musical Little Shop of Horrors, the theater went on to become the home of the percussive Stomp, which has lived here since 1994. Since then, the walls have gradually filled with a mélange of street-life ephemera related to the show; subway signs, motorcycle parts, chains and metal scaffolding all give the room a theatrically urban ambiance.
Before the Lincoln Center for the Performing Arts was even built, the idea for its Chamber Music Society was born. American composer and Lincoln Center President William Schuman helped specially design a recital hall in which the chamber group could play more than three centuries worth of musical compositions. But the Chamber Music Society didn't stay contained within its venue. Throughout the following half century, its musicians collaborated with dance companies, jazz projects, and festivals, helping to spread awareness and appreciation of their craft throughout the city.