As they enter the massive brick building, visitors pass the Watercarrier, a curved bronze statue that lends a first glimpse at a staggering collection of ancient and modern Native American works. Established in 1893, the Arizona State Museum celebrates and records Southwest Indian cultural history with more than 3 million objects, including a collection electrified with more than 25,000 pieces of woven basketry, more than 300,000 catalogued archaeological artifacts, 500,000 photographic negatives and original prints, 90,000 volumes of rare titles, 6,000 maps, 1,500 feet of archival documents, and more than 1,000 sound recordings. The collection forays out onto the museum floor in exhibitions such as Ancient Architecture of the Southwest, where striking photographs frame some of the crumbling archaeological ruins of 1,000-year-old cliff dwellings set against a rugged desert landscape while tastefully photoshopping out the ancient satellite dishes. The Pottery Project spans 2,000 years of Native ceramics with more than 20,000 whole pieces and a lab for hands-on pottery testing. Using artifacts, life-size dioramas, and film, Paths of Life explores the history and contemporary lifeways of ten Native cultures, including those of the Yaqui, O?odham, Apache, Navajo, and Hopi.
Museum staff further engage visitors in events that range from talks with museum curators and Native artisans to learning expeditions, which invite guests to tag along with museum and university archaeologists to survey nearby sites, immersing them in the scientific dig experience nearly as effectively as watching Indiana Jones with your nose to the screen. Educational outreach for public-school and university students immerses them in camps and workshops. At the Native Goods museum store, visitors browse a stock of books alongside basketry, jewelry, carvings, and textiles crafted by artists from Yaqui, Hopi, and other nations.
Aiming to turn the museum concept inside-out, Arizona-Sonora Desert Museum contains two miles of paths spread across 21 acres of desert, where animals such as sun-bathing lizards, bobcats, porcupine, and grey fox make their home. However, it is the fusion experience of a zoo, botanical garden, natural history museum, aquarium, and art gallery that has earned it a top-5 museum honor by TripAdvisor.
The museum's exhibits intend to display the shared natural habitats of plants, animals, and geology. As many as 230 native live animal species and 1,200 types of plants fill the museum's many exhibits, such as mountain lions, prairie dogs, and river otters, and nearly 20 endangered or threatened species. Birds of prey that roam the skies are the subject of a twice-daily seasonal presentation. The gardens feature over 56,000 individual plant specimens native to several biomes and ecosystems of the Sonoran Desert. Also exhibited is the skeleton of a Sonosaurus, recovered in southern Arizona.
After their stint outdoors, visitors can wander innovative indoor exhibits. Inside a cool, dark replica of a limestone cave glimmer more than 14,000 minerals and fossils, which includes a moon rock on loan from NASA. Amongst an underwater view of beavers' habitat and a venomous reptile presentation, the Warden Aquarium showcases the region's marine residents, and an art institute aims to promote conservation through dynamic visual art.
Nearly a half century ago, horticulturist Harrison G. Yocum opened his backyard to the public, displaying a bounteous collection of cacti and palms. After a few relocations, expansions, and the establishment of a nonprofit charter, Tucson Botanical Gardens now spreads 17 distinct plots across more than 5 acres. A delicate rumble hearkens the arrival of the Garden Railway miniature train, which winds through gardens uniquely dedicated to birds, butterflies, wildflowers, and traditional Native American crops. Admission—which is free for garden members and children younger than 3—grants passage to five different tours, and groups of 10 or more can arrange self-guided or docent-led tours at a discounted rate. If visitors awaken their appetites by savoring aromas from the onsite herb garden or by staring at clouds shaped like canned goods, they can dig in at the Gardens' Café, where sun spills through a slatted gazebo onto iron tables loaded with roast-beef baguettes and mexican tortilla soup.
Before getting married, Tony and Marcy Brown both held impressive fitness records. Tony moved from a personal-training career to teaching yoga, and Marcy—a seasoned law-enforcement officer and former owner of a personal-training studio—kept her finger firmly on the pulse of gym trends. The pair decided to captain CrossFit Purgatory after becoming convinced of CrossFit's superiority over other popular health regimens. Now, they welcome guests of all ages and abilities to participate in their WODs (Workouts of the Day), emphasizing the values of community and commitment for those trying to rewrite their physical limits.
CrossFit Purgatory rejects superfluous furnishings in favor of a tough, minimalist vibe, decked out in functional training equipment such as kettlebells, Olympic rings, medicine balls, and mammoth bones. The gym's industrial feel is offset by the warmth of its occupants, who welcome new members to tackle the day's routine with open, sweaty arms. Because CrossFit maneuvers are universally scalable, anyone can adjust them to suit their strength level—the coaches have guided patrons from sports competitors to complete newbies to 2010 Biggest Loser contestant Jessica Delfs.
Elemental Artistry's performers play with fire for a living. Blending the fluidity of dance with a theatrical sense of spectacle, the troupe—which includes an NBTA gold-medalist baton twirler—whirls flaming props into fiery vortexes, dazzling spectators at events ranging from the Tucson Celtic Festival to the sweet sixteens of local volcano gods.
In addition to more than 150 performances since 2007—some of which have earned print and television attention in the Arizona Daily Star and on KOLD News—troupe members teach their craft in workshops and classes that lead students of all ages through movements, such as poi spinning, staff and baton twirling, and hula hooping, using unlit props, at least to start. The art form's constant movement and careful coordination can help to tone muscles, awaken ambidexterity, heighten kinesthetic awareness, and occasionally open interdimensional doorways. Elemental Artistry's dance architects can also develop flame-free spectacles using props ablaze with LED lights.
Andrew Clark started his career at Performance Executive Fitness as a front-desk clerk. He put in the work, getting a personal-training certification and honing his rehabilitation skills as a trainer—dedication that resulted in his current position as gym owner. Andrew now leads a staff of trainers and consultants that help him chart custom fitness and nutrition services ranging from private workout sessions and sport camps to small-group conditioning programs. Each program focuses on helping clients achieve sound physical functioning, including functional-movement screenings and oiling joints with Powerade. Multiple media sources have highlighted the efficacy of Andrew's regimens, which took The Morning Blend's reporter Alex Miranda from a 125-pound bench press to 165 pounds in three months. Clients can enjoy the benefit of this expertise without disappearing into the crowd, since the gym has a member cap of 200 to prevent overcrowding and cultivate an atmosphere of community support and camaraderie.