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Joyce Willett School of Dance nurtures young dancers in an emotionally, intellectually, and socially safe space. Instructors encourage students to embrace their creative instincts, exploring music through the movement of their body while developing fine and gross motor skills in a supportive environment. Teachers integrate multiple dance styles into classes, from the precise gestures of ballet to the less-structured movements of hip-hop and jazz. The school's theater-arts preschool program cultivates young performers through theater games and role-play that emphasize socialization. Students learn to not only read picture books but to act out their stories and ultimately leverage their adorable dimples into a two-picture deal plus a cut of merchandising.
Although Stewart Yaros has performed with numerous elite companies, including the Boston Ballet and the Basel Ballet in Switzerland, his true passion is teaching dance. Teaching allowed the University of Massachusetts and Martha Mahr School of Ballet alumnus to combine his finely honed dance expertise and his zeal for communicating with others via the "common language" of dance in particular and the arts in general.
That theme of unity and togetherness dates back to the early days of Dance International, circa 1991, when the now bustling center for dance tutoring consisted of three students, their devoted teacher, and an old player piano that played Chopsticks. Today, the organization has swelled into a hub for upbeat, accessible instruction from professional-level teachers and is well-known for organizing the Austin Ballroom Festival.
Part of the guiding vision for Dance International is a focus on community service, as well as promoting the arts by introducing music and visual forms into the dance milieu. True to its multidisciplinary ambitions, the Dance International empire recently achieved 501(c)3 national nonprofit status and will soon add art and music classes.
In 1887, 17-year-old Italian immigrant Salvatore Capezio moved to New York to sell theatrical shoes, opening his first shop near the old Metropolitan Opera House. Of course, he quickly found himself dealing with the intense demands of the professional dancers that frequented the store, and Capezio began challenging himself to master the delicate balance and construction of pointe shoes. By the 1930s, his designs carried dancers across the stages of Broadway, and innovations bearing his name continue to appear today in such television and film productions as Dancing with the Stars and Black Swan. Committed to the needs of performers in dance, theater, and recreation, the Capezio team continues to fulfill young Sal's legacy by crafting footwear for ballet, tap, and ballroom dancing, and gymnastics.
Retro Beach Bash rouses concertgoers outside on the beach of Lake Travis with interactive competitions and nostalgic tunes performed by Billboard musicians from the 1970s and '80s. Concerts kick off at 2 p.m. on the sandy stage behind Carlos'n Charlie's and continues until 10 p.m., well after the sun hides behind the horizon to give Australians sunburns. Crowds will groove along to performances from soulful artists, including Ambrosia, John Ford Coley, and Terry Sylvester of The Hollies. The circle-twirling duo of SpunShine will lead a hula-hoop contest in the afternoon, and a retro beachwear competition will parade participants who sport bell-bottomed wetsuits and tie-dyed water wings.
Two of Christian music’s most iconic artists, Amy Grant and Michael W. Smith join forces to spread the good news, leading congregations in melodious worship on their 2 Friends Tour. Since 1982, this dynamic duo has engaged millions to flock to their catchy, ecclesiastical pop music, sharing a musical camaraderie as impenetrable as a fortress with abandonment issues. Amy Grant, author of No. 1 hits such as “El Shaddai” and “Baby Baby,” has shared her gift of song for more than 30 years, selling more than 30 million albums, garnering six Grammys, and earning a star on the Hollywood Walk of Fame. Michael W. Smith has earned countless accolades with his tremendous songbook of head-bobbing hymns and choir-rousing hits. Sharing the stage for the first time in two decades, Amy and Michael thrill fans with new psalms and favorites from their sonic scroll, merging their sets with joyful duets and chemistry that crackles like Abbott and Costello after getting struck by lightning.