At Walks in History, 1-mile tours are based on stories from the books Haunted Charleston and Haunted Harbor by authors Geordie Buxton and Ed Macy. The 90-minute Pirate and Haunted History tour tracks the fading footsteps of Blackbeard, Stede Bonnet, Anne Bonney, and Mary Read through the cobblestone streets and bastion walls of the Old Walled City. Making pit stops at six to eight haunts, the guides unravel tales regarding pirate hangings, Fort Sumter and the Pink House, where Blackbeard once shot rum and drunk dialed former first mates.
The 90-minute Haunted Charleston Ghost Tour ventures into the murky twilight like a darkness-starved vampire bat after the summer solstice. As the expert guides snake through six to eight stops, they shed light on ghostly activity at sites such as the Old Citadel, a Revolutionary War burial ground, and the remains of the Charleston Orphan Asylum.
"I love that I get to take a walk, literally, into the past every day." That's how Charleston Sole's owner, Brian Simms, described his job for the company website's Q & A section. A self-described history buff and Charleston native, Simms leads tours that explore the Holy City's past, lore, and legends. He spins tales of days past at landmarks such as Revolutionary War sites, Antebellum Mansions, and St. Michael's Church—Charleston's oldest church edifice. Simms' walking adventures last approximately two hours and cover 1.5 miles—the average distance humans can walk before needing to recharge their batteries.
Charleston Harbor Fest delights locals and tourists alike with a surfeit of maritime merriment and educational opportunities. Ogle the fleet of tall ships, many of which can be boarded for up-close inspection and lively debates about whether it's more fun to shout "hard a-starboard" or "abandon ship." Cabin boys and girls will prefer on-shore attractions such as the energetic Kid’s Zone, where they can build a model boat, learn to tie nautical knots, and practice their land-swimming. Additional hands-on activities await in the Education Village, which promotes watershed awareness and sustainability by painting rain barrels and dying bandanas with local natural dyes. Re-convene the clan in time for the Parade of Sail at 12:30 p.m. on Saturday.
The Children’s Museum of the Lowcountry is an adventurous outpost for the developing population demographic. The museum currently hosts eight different exhibits, giving kids who are sick of increasingly hallucinatory children’s TV programming an exciting educational outlet. The medieval creativity castle brings the Middle Ages to life through storytelling, monthly puppet theater, and passageways for hands-on exploring. The 700-square-foot TREEscape makes a playground out of an Angel Oak and a conversational partner for young tree whisperers. In addition to the exhibit octad, the museum holds free programming with topics that change monthly. Science, history, culture, and more are covered by the programs, putting young museum goers on the path to becoming the 21st century’s first true renaissance men and women, not withstanding Renaissance Faire workers.
Since 1905, the Gibbes Museum of Art has stimulated corneas and cortexes with its exhibitions, educational programs, and its collection of more than 10,000 art objects. Its collection includes Southern- and Charleston-based works from the Colonial period through the present day. Steer brainwaves on a creative course with a family membership, which grants two listed adults and all listed children and grandchildren under 18 unlimited admission for one year. Membership also includes a subscription to Signature, the Gibbes tri-annual magazine; free or reduced educational programs and special events; a 10% discount at the Museum Store, with special member-shopping days; and reciprocal admissions to museums throughout North America. Indulge an art-based dream with today's deal without the hassle of wearing nothing but black turtlenecks and constantly snapping your paint-flecked fingers.
When John Drayton broke ground on Drayton Hall in 1738, he had no idea that his estate would survive the American Revolution, the Civil War, an earthquake, and numerous hurricanes. The stories contained in the building’s walls span seven generations of history tied to the Draytons and the Bowens family, an African American family that lived and worked at Drayton Hall before and after emancipation. Since 1974, when Charles and Frank Drayton sold their ancestral home to the National Trust, visitors have been able to transport themselves into the past with more ease than rubbing the beard at the Lincoln Memorial.
The main house, a sweeping example of Georgian Palladian architecture, is the oldest near-original, unrestored colonial home in the United States. Like a helpful ghost, the grand rooms and original fireplaces whisper history into the ears of all visitors, telling tales of British and colonial soldiers who occupied the house during the American Revolution. Views from the portico are filled with drooping trees, spanish moss, and a grand driveway. Surrounding the estate, an undisturbed historic landscape backs up to the Ashley River, and also encompasses A Sacred Place, the oldest African American cemetery in the country still in use.