Fred M. Kemp, Sr. fell in love with the first Mercedes-Benz he ever bought. So he bought 40 more. Over the course of 30 years, his obsession created a collection of some of the rarest and most groundbreaking cars ever made. Upon his passing in 2004, he deeded his cars to the public for exhibition and education, founding the Kemp Auto Museum born to house his extensive collection.
Kemp's legacy includes one of Karl Benz's patent Motorwagens, which captivated the public's imagination when Mrs. Benz drove the device 112 miles to visit her mother in 1888. At the other end of the spectrum sits the 1960 Mercedes 220SE Cabriolet, whose 134-horsepower fuel-injected engine could have ferried Mrs. Benz to her mother's house in about an hour. Visitors can take either docent-led or audio tours to see the standing exhibit, or catch one of the touring special exhibits, featuring classic cars such as department-store Crosleys and classic engines such as Fred Flintstone's feet.
In the pantheon of American explorers, there are few names as revered as Lewis and Clark. After securing the Louisiana Purchase in 1803, President Thomas Jefferson needed someone to map out the newly doubled national borders. The two U.S. Army officers were the men for the job. They set out into the great unknown in May of 1804, and except for the one Cracker Barrel they stopped at mid-journey, St. Charles was the last familiar piece of America they knew until their return trip in 1806.
As a testament to their momentous voyage, the Lewis & Clark Boat House & Nature Center houses full-scale replicas of the explorers' boats, half-scale 18th and 19th century buildings, and displays about the Native Americans that Lewis and Clark met along the way. Outside its walls, the museum also gives visitors a glimpse into the ecosystems that the pair explored. Visitors can walk on trails through the woods and wetlands to find herons, deer, and indigenous plants.
After a decade getting her hands dirty with clay, artist Donna Schreiter swung open the doors of The Painted Pot in 2001, determined to bring the art of ceramic creation to all ages and skill levels. Inside the open studio, adults, kids, and families dabble raw bisques with glaze-soaked sponges, assemble mosaic works, and shape wet clay on spinning wheels. Kids' classes guide little hands to shape and paint their own pieces, and grown-ups-only evenings throw in margaritas for sipping and instructions for weaving baskets out of old utilities bills.
At My Handyworks, the team specializes in turning handprints into art. They can transform a set of acrylic-paint handprints and footprints on a tile into a custom painting, perhaps of a duck, or dyed wax molds of hands into keepsake statuettes. Their art classes, meanwhile, cover a wide variety of skills, teaching kids to decorate pumpkins and adults to recreate masterpieces by Monet and Van Gogh.
Inside Art Glass Array?s warm studio, beginners learn basic processes and techniques to cut and melt glass, creating a spread of unique items, including platters, bowls, and wall hangings. Classes in wire-wrapping and dichroic block layering teach skills that can yield beautiful pendants, and advanced classes let students take their craft to the next level by creating matching sets of dishes or sandblasting glass. Students can display their works at the studio?s gallery, which saves refrigerators the burden of having bowls and pendants hot-glued to their doors.
With a plethora of frame and mat samples, Deck The Walls can satisfy any and all framing fantasies. The expert framespeople can make diplomas radiate (most diplomas can be framed for around $100), dorm-room movie posters sparkle (many 24"x36" pieces are well under $100), and sports jerseys shine (most for under $300). The design wizards can also find a home for any prized possession, such as shoebox photos, baby booties, ticket stubs, medals, and really good pot roasts. Deck The Walls' lifetime guarantee and assurance that all work is done on-site means your frameables won't be subject to mistreatment at underground commercial framing facilities.