Hailed as the "granddaddy of Northwest Indiana's haunted attractions" by the Post-Tribune, Reapers Realm Haunted Attractions terrifies guests every Halloween season with multiple haunted sites. Most of its frights lurk within the three floors of a 1920s-era stone mansion. There, fog makes it tricky to see where demented demons lie in wait, and strobe lights illuminate famous movie monsters such as Michael Myers reenacting classic scenes of carnage.
More creepy creatures populate the Reaped Woods, where, in the past, a corn maze has hosted sights nearly as frightening as a scarecrow stuffed with old SAT scantrons. At the aptly named Carnevil, the screams echoing from the rides aren't just screams of delight.
In 1903, Hammond’s first mayor, Marcus M. Towle, opened the Towle Opera House to provide the city with a venue for theatrical productions. Times changed, and with them the theater: the opera house became a cinema, and eventually a string of fashion shops moved into the space. The building seemed destined for a future of holographic retail, but in 2003—a century since the stage first opened—it was reborn as the Towle Theater. Since then, its intimate brick-lined confines have hosted such crowd-pleasing productions as The Musical of Musicals, the Musical and A New Brain.
Today, millions of people live and thrive among the streets and skyscrapers of Chicago, but at one time the bustling metropolis had only one resident—namely, the city's apocryphal, somewhat legendary founder, Jean Baptist Point DuSable. A Haitian of French and African descent, DuSable was the first of Chicago's great African Americans, a company that includes the city's first black mayor, Harold Washington. In one of the DuSable Museum's standing exhibits, the Thomas Miller mosaics, portraits of DuSable and Washington peer out along with eight of the founding members of the museum—a constellation of lodestars reminding visitors to maintain Chicago's diverse heritage.
While the mosaics incorporate the museum's own story, other exhibits examine African American achievements of all kinds. Red, White, Blue & Black, for instance, examines the contributions of black men and women in the armed forces, while voices from the past sing out in Spread the Word! The Evolution of Gospel, a survey of Chicago-based gospel greats such as Mahalia Jackson and Thomas Dorsey. In A Slow Walk to Greatness: The Harold Washington Story, visitors explore the nuances of the momentous campaign through memorabilia and more than 150 mayoral artifacts. An animatronic likeness of Mayor Washington himself even steps in to relay stories and first-hand accounts made possible by animatronic robots' ability to travel through time. In addition to the permanent exhibits, the museum also hosts musical performance, film festivals, and book signings that introduce members to more aspects of African American history, including the scholars who continue to uncover it.
The Chicago Academy of Sciences created a library and collection of flora and fauna specimens that burnt in the Great Chicago Fire in 1871, just 14 years after its inception. By 1894, the academy had regrouped and rebuilt its collection in Lincoln Park, where it stood for more than 100 years. In 1999, the academy turned it into the Peggy Notebaert Nature Museum, a family-friendly museum filled with exhibits that let visitors explore the flora, fauna, and ecology of the Great Lakes region.
The 6.35-acre campus hosts more than 15,000 plants, 13,000 birds, and 22,000 amphibians and reptiles in its specimen collections. As visitors walk through Popular attractions include the Judy Istock Butterfly Haven, where visitors can stand in a swirl of 1,000 exotic butterflies, and Mysteries of the Marsh and the Istock Family Look-in Lab, which feature dozens of living creatures, such as turtles, snakes, and giant bugs. The two-story Extreme Green House offers a hands-on look at the materials and technologies that surround us.
In addition to educating the public, the museum is a local leader in wildlife conservation. It's nestled in acres of restored prairie, where visitors can spot migratory birds and other native critters and plants. Outdoor exhibits include 17,000 square feet of green roofs, a restored-prairie nature trail, and a rooftop birdwalk.
The creative team of framers and decorators at Foursided stocks stacks of creative greeting cards and paraphernalia. The self-described "frame nerds" do more than cultivate a collection of stationery by planting paper seeds in nearby printing presses; they also place prints and objects into frames and furnish homes with original pieces by a handful of favored artists. Staffers also buy and sell vintage flash cards, puzzle pieces, and letter tiles harvested from a variety of objects.
Owner Todd Mack has worked in framing for 20 years, and he draws on his vast experience when custom mounting a broad spectrum of pieces. Vintage and recycled frames, archival framing, and shadow boxes are a few of the options available. Mack's interest in shadow boxes makes perfect sense to visitors who take a look at his own art, which assembles found photos and objects in forms that aren't always 2-D.
On HGTV's Urban Oasis, interior designer Vern Yip ornamented a luxury apartment with prints gathered from Foursided's expansive collection. In that collection, colorful shelves of letter blocks, maps, corks, baby-doll heads, and harmonicas turn personal, nostalgic objects into stylish new decorations. Candles, jewelry, and books round out the gift selections.
When entrepreneur Harold Pierce opened the first Harold’s Chicken Shack on Chicago’s South Side in 1950, his chefs fried chicken as it was ordered, filling customers' empty hands with baskets of fresh, piping-hot chicken in 12–15 minutes. Today, the chain of 62 restaurants peppered across the Midwest and Southwest continues the old tradition of rewarding patience with astonishingly delicious chicken. The long-standing shop specializes in a simple order—breaded chicken fried in a rich mix of vegetable oil and beef tallow for a home-cooked flavor. Chefs prep the chicken Chicago style by pouring a dash of sauce over the basket, which soaks into the white bread and crinkle fries that come with every order. Marked with the famed emblem of a cook chasing a chicken with a hatchet, the restaurant has saturated the city’s consciousness, earning a mention in Tucker Max’s I Hope They Serve Beer in Hell, an appearance in Kanye West’s music video Through the Wire, and its own chicken hologram projected over the skyline. Serious Eats sums up citywide sentiment for the chain: "When the words 'fried chicken' are uttered in Chicago, it’s a fair bet that the name Harold’s Chicken Shack will usually follow."