In one sense, Bella Voce?s focus is singular: the human voice, in all its grandeur and intimacy. But beyond their choice of medium, the group?s repertoire knows know bounds. Since 1982, they?ve raised up their voices to deliver classic a cappella pieces, early music, and contemporary works with accompaniment from across the globe. They?ve also commissioned new works from Midwestern composers such as Rami Levin, Frank Ferko, and old farmer Dan from down the road, who sure can whistle. The most recent addition to Bella Voce is the Bella Voce Camerata. In placing just a single singer on each part, the Camerata specializes in pieces whose smaller scope and scale serves as an intimate alternative to the lusher arrangements Bella Voce is known for.
Founded in 2011, the Chicago-based American Chamber Opera features an ensemble committed to singing full-length oratorios in English. Its productions resemble concerts more than traditional opera performances: the music takes center stage as the singers belt and emote in settings that evoke the world of the story with just a few well-placed details.
Chicago Sinfonietta was already markedly different from its counterparts when it played its first notes in 1987. Its founder and conductor Paul Freeman wanted to create a symphony that actually reflected the community in which it existed. The ensemble he formed brought together musicians from diverse racial and cultural backgrounds, who interpreted both classical pieces and forgotten compositions from composers of color. His concept proved successful—the symphony toured Europe, played the Kennedy Center twice, and produced 14 albums, all while tunefully demonstrating the universality of music.
Today, Chicago Sinfonietta continues to perform unique programs, and supports music education and professional development opportunities for members of underrepresented communities. Freeman retired from his post at the end of the 2011 season, passing the reins new music director Mei-Ann Chen, but his legacy lives on in the music of performers he helped get started, including classical-music legend Yo-Yo Ma.
Owner Valerie Beck and her team of chocophile tour guides lead guests on walking tours of Chicago’s historical bakeries and chocolatiers, narrating the history of beloved sweets while walking an easy route through vistas of Chicago’s stunning architectural heritage. While snacking on samples of sweets, guests learn about chocolate’s storied history, the cupcake’s rise to prominence, and how to guess the flavor of filling inside Oompa Loompas by sight. Tours convene throughout Chicago’s many neighborhoods, giving guests a sneak peek into Chicago's signature confections, boutique shops, and mobile sweet-vending trucks. The chocolate or cupcake jaunts provide the perfect setting for a girls’ day out or bachelorette party, showing tour-goers the sweeter side of the city without getting caught in construction sites of shoddily built gingerbread houses.
When the Chicago Philharmonic Orchestra was founded in 1988, it was a tightly knit ensemble consisting entirely of principals from the Lyric Opera Orchestra. Since then, it has blossomed into a collective of more than 200 professional Chicagoland musicians. But despite the increased size and bow-tie budget, the players have lost none of their precision or dynamic nature, prompting the Chicago Tribune to herald the group as “one of the finest symphonic orchestras.”
Led by Russell Vinick—winner of the Illinois Council of Orchestras' 2010 Small Orchestra Conductor of the Year award—the Lake Shore Symphony delights listeners with classic and modern orchestral works. "Made in America" kicks off with Joan Tower's piece of the same name, riffing on "America the Beautiful" to inspire patriotic feeling in show-goers' hearts and initiate patriotism routines in cyborgs' motherboards. Arranged by celebrated choral composer John Rutter, "Spirituals" collects traditional African-American church songs into an uplifting sonic package delivered by the Northside College Preparatory High School Concert Choir. Antonín Dvořák was inspired by similar material in composing his Symphony From the New World, which ends the evening by setting folk-inflected melodies to exquisite orchestration. The show will take place in Northside College Preparatory High School's acoustically honed auditorium, with a sound-friendly shell that keeps notes from confusedly rearranging themselves into renditions of "100 Bottles of Beer."