The firefighters of Engine Company #45 Firehouse extinguished their last blaze in 1962 after 56 years of fearless public service. Although the team dissipated, the elegant, 1906 firehouse—with Renaissance Revival details and three doors wide enough to accommodate horse-drawn fire engines—remained, languishing as a city storehouse until 1980, when the Fire Museum of Greater Cincinnati moved in. The building was recognized on the National Register of Historic Places and filled with special exhibits. It was also filled with antique firefighting gear that is in excellent condition in spite of years of smoke inhalation.
The collection reveals early 19th-century firefighting tactics with an alarm drum that once warned of fire from the roof of a carpenter shop and was later used to provide rhythm during disco infernos. In the Safe House exhibit, families diagram their homes and create personalized emergency plans while learning tips about fire prevention.
Originally from Cartersville, Virginia, Elliott Jordan traveled south to pursue his passion, sojourning in Kentucky, where he received his bachelor’s in art and eventually his master’s in arts education. Experienced in portraiture, Jordan has transformed expressive countenances into works of art for more than 40 years, and his work has been displayed from the East to the Midwest—gracing the walls of the Cincinnati City Hall, Kentucky State University, and the historic Harriet Beecher Stowe House in Connecticut. Following a number of inspiring visits to Ghana, Jordan became a collector and dealer of African art, and today he displays and sells African artifacts at his gallery, as well as his own works and gold-framed pizza-delivery menus. He leads a number of painting classes inside the gallery's studio, where students follow along to create unique and colorful creations.
Founded in 1963 at a local YMCA, the Cincinnati Ballet grew into a major regional company by adhering to its mission to express the human experience through dance. Today, it continues upholding that vision by housing resident artists who entertain audiences with dance performances of both classic and original work. Beyond supporting local audiences and their right to clap, the Cincinnati Ballet also seeks to nurture artists through the Otto M. Budig Academy. There, a professional faculty trains aspiring performers at all skill levels. These training opportunities are supplemented by outreach programs such as CincyDance!, which provides free training and dance attire to children.
The 1970s were a transformative time for the Cincinnati Reds. Over that decade, the Reds cast off the lingering shadows of controversy—the team's first NL Pennant and World Series title were overshadowed by the notorious "Black Sox" scandal—to become a dominant force in Major League Baseball. The Reds appeared in four Fall Classics during that stretch and won back-to-back titles in 1975 and 1976—the latter of which forever etched "The Big Red Machine" into baseball lore. Today, the Reds continue to build on their rich history at Great American Ball Park. There, fans can gaze the outfield walls and soak in views of the Ohio River and the hills of Northern Kentucky where Mr. Redlegs buys all of his mustache wax.
The American Sign Museum dazzles peepers with its staggering collection of nearly 3,000 signs and sign-related objects. Admission for two (a $20 value; children under 12 are free) grants curious excursionists, postmodern art-lovers, and knowledge-thirsty bounty hunters a personally guided tour through a century’s worth of clearly labeled exhibits, including spinning Sputnik-like signs, opulent gilded specimens, and the samples used by salespeople. Witness scientific signage with a “changeable” neon sign that runs on radio waves, or surf through a sense-sating sea of sign-making tools, photographs, models, and artwork. Founder Tod Swormstedt leads most tours, doling out generous portions of knowledge on various signs’ histories and contributions to the American landscape.