Since its origins as a converted parking garage, Alamo Drafthouse Cinema has ushered film-lovers of all breeds into its auditoriums, even gaining a following among Hollywood legends; Quentin Tarantino has been known to host five-day movie marathons at Alamo. The theater has earned that reputation by making moviegoing a personal experience, from the menu of handcrafted snacks and locally brewed beer to the completely ad-free presentations before shows. Alamo?s ninja servers pick up written food and drink orders throughout the movie and serve moviegoers directly at their seat. The staff enforces a strict no-talking, no-texting policy by kicking out any offenders, falling just short of yanking them from their seats with a giant's shepherd's crook.
Both first-run blockbusters and classics are projected onto Alamo's silver screens in crisp 35-millimeter or digital format. Meanwhile, surround speakers immerse audiences in the cinematic soundscape, whether they're seated in one of the expansive theaters afforded to blockbuster reels or the more intimate spaces reserved for indie films wound around tiny bobbins. Despite Alamo's vow of silence, fan-centric Quote-Along and Sing-Along nights encourage guests to shout their favorite lines, and actors, directors, and other celebrities often attend special screenings to lead in-depth discussions. These exclusive events have led to acclaim for Alamo from publications such as Entertainment Weekly, which called it ?one of America's most fanatically unique moviegoing experiences,? and Wired, which opined that it "might just be the coolest movie theater in the world."
After nearly two decades obsessing over cinema as a film critic for Variety and editor-in-chief of Film Comment, Harlan Jacobson founded Talk Cinema?a series of early film screenings hosted at multiple theaters around the country. Each year, Harlan handpicks independent and foreign films from the world's leading festivals, often resulting in some of the first public screenings of award-winning prestige pictures. After each screening, he hosts experts such as scholars, filmmakers, and critics from the New York Times and the Chicago Tribune during discussions modeled after those held at festivals and particularly cultured kids' treehouses. Talk Cinema also occasionally hosts guided tours of festivals in international cities such as Montreal and Reykjavik.
Originally built in 1938 by noted movie-palace architect John Eberson, the AFI Silver Theatre's vintage hall transports viewers back to the heyday of the silver screen. In the fully restored main auditorium, curling lines decorate the wood-colored ceiling and glowing wings unfurl from the screen, echoing its art deco origins and comforting penguins who, also, will never fly. Two new, stadium-style theaters triple the number of possible screenings, and each auditorium comes tricked out with projectors that can handle everything from 16 mm to 70 mm film as well as the latest digital video.
At Montgomery Royal Theater, six screens beam larger-than-life stars into the eyes of moviegoers during showings of recently released flicks and Hollywood blockbusters. Viewers can sink into the theater's plush, cushioned seats to absorb action-packed reels that showcase the twists of budding romance or the dire consequences of resurrecting an extinct flower’s DNA. The theater’s concession stand outfits viewers with buckets of popcorn and cups brimming with soda, providing the appropriate rations to accompany treks into the fantastical worlds of first-run films.
Converted from a historic 1930s art-deco theater, the modern iteration of the Arlington Cinema & Drafthouse is a combination restaurant, movie theater, and performance space. Besides screening blockbusters, the venue also hosts regular comedy shows featuring standups who have shared their skills on The Tonight Show, David Letterman, and Conan O'Brien. Between laughs, audience members can take bites from a complete menu or sips of selections from a full-service bar.
Artistic Empowerment Centers Inc is a non-profit performing arts organization inspired by both spiritual and creative forces, staging plays focused on uplifting and introspective stories about the black experience. Their current calendar of shows includes Fabric of 'She', a story about a young woman aspiring to be an entertainer during the Harlem Renaissance, and The 'N' Word, a one-act play in which friends debate the use of racial slurs and is followed by an audience discussion forum.