Since 1993, Cirque Dreams' family-friendly variety extravaganzas have called upon a cast of acrobats, strongmen, and daredevils to wring the oohs and aahs out of audiences with tremendous feats of derring-do. During each themed production, more than 100 performers garbed in dazzling outfits twirl high in the air, contort their bodies into impossible shapes, and solve long division problems to earn uproarious applause from the crowd. At Dream Studios in Pompano Beach, Florida, hundreds of contracted artists from around the world develop their skills and prep for Cirque Dreams performances under the direction of Neil Goldberg and his team of choreographers, contortionists, and designers.
The State Theatre was saved, as its website states, from "the ravages of time." Built in 1921 as a vaudeville and silent-film palace, the venue fell on hard times in the 1970s. In 2003, however, a $3 million renovation restored the State Theatre to much of its original glory, as crews painstakingly rehabbed the ornamental plaster, terracotta exterior, and actor holding cells. Inside the theater, a stunning chandelier sparkles more brightly than ever below the venue's signature dome.
The seasoned performers of Piccadilly Circus dazzle audiences of all ages with 90 minutes of acrobatics, comedic high jinks, and trained animals beneath the big top. Audiences gasp at high-flying trapeze artists swooping through the air with the confidence of a kite in a wind tunnel, as well as contortionists able to bend themselves into human bonsai trees. Death-defying motorcyclists roar into a caged globe to perform a 360-degree display of vehicular mastery. Gaggles of clowns coax out chuckles, and a trained elephant parades around the ring, occasionally stopping to memorize an audience member's phone number. General-admission seating surrounds the ring, allowing ample viewpoints from which to observe the boisterous spectacle.
Snakes slither in glass display cases, and lizards wriggle in the hands of trained handlers as they're held up in full view of a curious crowd. This is the scene as one of Repticon's presenters educates attendees on the biology, behavior, and typing speeds of exotic cold-blooded creatures at one of the year-round shows held in cities across the country. Reptile and amphibian breeders, scholars, and handlers engage audiences in lectures and demonstrations in the midst of live reptile exhibits, family activities, and displays for exotic-pet supplies. Presentations may focus on the genetics of large snake species, the specifics of exotic-pet care, and the effect that tiny hats have on the image of arachnids such as tarantulas, scorpions, and spiders.
At Cirque Italia, aerialists and acrobats look down to see a very unusual set: a 35,000-gallon water tank. As the high-energy acts swing from ropes and flip over trapezes, fountain jets below crisscross in mesmerizing patterns. Among them, the bicycle of death-defying Capitolino Mitrovich navigates a high wire strung precariously across the tent.
On the ground, the strongmen of Duo A&A put their muscle-bound physiques to work, pulling feats of strength such as balancing from each other's heads on one hand and unloading a clown car full of groceries. In a nod to the aquatic setting, Corissa Wilson does a mermaid act in midair. And between acts, Coco the Clown?who once set a Guinness World Record for riding a 5-inch bicycle?keeps the crowd's spirits high as the human pyramid. Other world record holders, The Juggling Fusco Twins, put their club-juggling abilities on display alongside a hula hooper who prances alongside a ring of water and an Italian singing act that performs while upside down. Many of the acts come from around the world, whether they're twisting and flipping atop a towering coat rack or manipulating beams of laser light in the Laserman 260 show in the towering 70-foot tall big-top tent.
The Hershey Theatre, conceived in 1933 by noted philanthropist and chocolatier Milton S. Hershey, stands as an opulent tribute to the performing arts. Taking architectural cues from Saint Mark’s Basilica in Venice, the foyer’s towering arches gleam with golden paint and crystal chandeliers. The blue-and-gold mosaic that leads to the main seating area is the masterwork of two German artists who spent two years on its construction. Once inside the theater, audiences might think they’ve stepped onto the streets of Venice thanks to the atmospheric ceiling, stonework facades, and gondoliers paddling them to their seats. ####Bethel Woods Center for the Arts Music has permeated the 800 manicured acres where the Bethel Woods Center for the Arts has stood since 1969, when farmer Max Yasgur agreed to let love, peace, and harmony grow wild at the very first Woodstock festival. These days, the renowned outdoor venue and cultural center continues to attract the biggest acts in music to its pavilion stage. The open-air design ensures ample ventilation on the natural sloping lawn, and a roof protects up to 15,000 fans from inclement weather and the prying eyes of Cessna pilots.