In support of her high-decibel new album, Rihanna kicks off her hotly anticipated LOUD tour with emphatic gusto and a sizzling roster of special guests. Like an art show at a sundae bar, the LOUD tour floods the senses, enchanting audiences with lavishly designed sets, myriad costume changes, move-busting dancers, and Rihanna's songbook of Grammy magnets. Crooner Cee Lo Green augments the songful offerings with his own vocal talents, and Roc Nation rapper and rhythm scientist J. Cole further helps resuscitate ear drums traumatized by the outside world's blaring car horns and shrill howler monkeys.
Nestled within the acoustic splendor of the Blossom Music Center's pyramid-shaped pavilion, you’ll be close enough to taste the high notes of the piccolos, the vibrato of crashing cymbals, and the sass of brassy fanfares as the Blossom Festival Band fills the air with patriotic music. Led by conductor Loras John Schissel, the program will include the toe-tapping marches of John Philip Sousa, a salute to the U.S. Armed Forces, and Tchaikovsky’s 1812 Overture. As long as the weather allows, fireworks will follow the concert—an exploding cherry bomb on top of the sweet sundae evening.
Tickets in these sections are first-come, first-serve, so book early for the best seats. Ticket-holders who arrive at 6:30 p.m. will also get to enjoy an informative hour-long discussion of the concert’s lineup of pieces and the fascinating stories behind them.
Since 1913, the Erie Philharmonic has been on a melody-driven mission to enrich its surrounding communities with live concerts and stirring performances. Tchaikovsky's symphony begins by spotlighting one of America's most successful composers, Christopher Theofanidis, as he conducts "Rainbow Body," an evocative movement inspired by medieval mystic Hildegard of Bingen and her propensity to lead chants at high-school football games. Next, guitarist Ana Vidovic continues her drag race to the top of the classical genre by cramming the swaying, syncopated rhythms of a Spanish concerto into open ears. Pathétique closes the evening with a spirited rendition of Tchaikovsky's final symphonic piece. Fueled by the juxtaposition of varying emotions, Pathétique tows listeners to the top of triumphant crests, only to yank them back into the darkened valleys of personal upheaval and frustration over uncertain weather forecasts.