Ranked among Ticketmaster's Top 25 Most Requested Family Events for five consecutive years, UniverSoul Circus grants an interactive spectacle of acrobatic stunts, dance, and comedy set to popular urban sounds. With its swirling lights and pulsing beats, the circus's resemblance to a blowout concert tour is no accident: production designer Tom Marzullo has created internationally touring stage shows for Justin Bieber, Jay-Z, and Prince.
As hosts, a troupe of improv comics slip laughs in between the gasps and draw the crowd even closer into the action. Meanwhile, the production makes jaws drop farther with trained elephants, illusions featuring a live tiger, a head-balancing act from Vietnam, and female contortionists from Ethiopia. These make up just a few of the globally sourced performers, others of whom hail from locales as diverse as Colombia, South Africa, Russia, and Trinidad and Tobago.
A soulful songstress that dabbles in a mishmash of classic American musical genres, Joan Osborne blipped onto the nation's radar more than 15 years ago with the hit "One of Us" and remains steadfast well into the millennium. Immerse inner ears in an intimate acoustic set featuring Joan's pianist pal Keith Cotton and special guest Jeffry Braun. For this concert, The Ridgefield Playhouse will feature a complimentary preshow hors d'oeuvres spread from 7 p.m. to 8 p.m. and a full bar stocked with buyable libations. Groups should call ahead to reserve blocks of seats.
Catering to aspiring dancers as young as 18 months, A Dance Place offers lessons in a non-competitive friendly environment to help build youngsters confidence and self-esteem. The littlest dancers can take part in mommy and me classes or creative movement sessions, which instill them with a love of physical expression. Ballet, tap, and hip-hop lessons, meanwhile, allow pupils to delve into more specialized disciplines.
On any given night, a guest at Blue Note might be pulled onstage to sit in on a jazz standard. This would merely qualify as another of the club’s charming eccentricities, were that guest not typically someone like Stevie Wonder, Liza Minnelli, or Quincy Jones. New York’s musical royalty frequents Blue Note to hear original, historical jazz, as well as the innovative genres that the club passionately supports. They look on approvingly as the rising stars of the soul, hip hop, funk, and pantomime scenes blaze sonic trails between the stage’s parted blue curtains. These performers fill the atmosphere with smooth sounds on most nights of the week, and their exquisite talents are matched by a menu of pan-roasted salmon, marinated skirt steak, and grilled baby-back ribs.
Murder mysteries should be anything but silly. That’s the view espoused by Live In Theater Productions, the brainchild of prolific actor and playwright Carlo D'Amore. Eschewing the goofy tone of some other shows, Live In Theater plunges participants into cases that take their immersive details from unsolved, historical murders in New York. Showgoers make their way along the city streets where the real crimes once took place, interrogating actors playing roles ranging from 19th-century Irish slumlords to strung-out 1970s junkies. Each event plays out differently as the amateur sleuths weigh evidence, pursue leads, and finally find some use for their pocket-sized polygraphs, creating a one-of-a-kind adventure that earned a 2012 Drama Desk nomination for Unique Theatrical Experience.
Laughter flows from the New York Comedy Club's corridors, freshly squeezed from audiences' giggle boxes by the club's on-hand comedians, visiting performers, and enthusiastic novices. Weekly shows, such as The Clayton Fletcher Show, lure up-and-coming NYC comedians to showcase their best jokes, brandish their best impressions, and analyze government tax-code legislation. On tri-weekly open-mic nights, amateur humorists test their slapstick mettle alongside host Dan Gutin. In addition to entertaining crowds, the New York Comedy Club hosts classes in tandem with Laughing Buddha Comedy, helping aspiring comics or court jesters to improve their stage presence and perfect their knock-knock jokes.